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Confucianism -> Liji -> Yue Ji -> 17

There are heaven above and earth below,
and between them are distributed all the (various) beings with their different (natures and qualities)
- in accordance with this proceeded the framing of ceremonies.
(The influences of) heaven and earth flow forth and never cease;
and by their united action (the phenomena of) production and change ensue
- in accordance with this music arose.
The processes of growth in spring, and of maturing in summer (suggest the idea of) benevolence;
those of in-gathering in autumn and of storing in winter, suggest righteousness.
Benevolence is akin to music,
and righteousness to ceremonies.
Harmony is the thing principally sought in music
- it therein follows heaven, and manifests the spirit-like expansive influence characteristic of it.
Normal distinction is the thing aimed at in ceremonies
- they therein follow earth, and exhibit the spirit-like retractive influence characteristic of it.
聖人 Hence the sages made music in response to heaven,
and framed ceremonies in correspondence with earth.
In the wisdom and-completeness of their ceremonies and music
we see the directing power of heaven and earth.


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