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中國哲學書電子化計劃
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道家 -> 莊子 -> 外篇 -> 至樂 -> 5

顏淵When Yan Yuan went eastwards to Qi,
孔子 Confucius wore a look of sorrow.
子貢Zi-gong left his mat, and asked him, saying,
'Your humble disciple ventures to ask
?」 how it is that the going eastwards of Hui to Qi has given you such a look of sadness.'
孔子 Confucius said,
'Your question is good.
管子Formerly Guanzi used words
of which I very much approve.
He said,
"A small bag cannot be made to contain what is large;
。』 a short rope cannot be used to draw water from a deep well."
So it is,
and man's appointed lot is definitely determined, and his body is adapted for definite ends,
so that neither the one nor the other can be augmented or diminished.
黃帝I am afraid that Hui will talk with the marquis of Qi about the ways of Huang-Di, Yao, and Shun,
燧人神農 and go on to relate the words of Sui-ren and Shen Nong.
The marquis will seek (for the correspondence of what he is told) in himself;
and, not finding it there, will suspect the speaker;
and that speaker, being suspected, will be put to death.
And have you not heard this?
Formerly a sea-bird alighted in the suburban country of Lu.
The marquis went out to meet it, (brought it) to the ancestral temple, and prepared to banquet it there.
The Jiu-shao was performed to afford it music;
太牢an ox, a sheep, and a pig were killed to supply the food.
The bird, however, looked at everything with dim eyes, and was very sad.
It did not venture to eat a single bit of flesh,
nor to drink a single cupful;
and in three days it died.
'The marquis was trying to nourish the bird with what he used for himself,
and not with the nourishment proper for a bird.
They who would nourish birds as they ought to be nourished
should let them perch in the deep forests,
or roam over sandy plains;
float on the rivers and lakes;
feed on the eels and small fish;
wing their flight in regular order and then stop;
and be free and at ease in their resting-places.
It was a distress to that bird to hear men speak;
what did it care for all the noise and hubbub made about it?
If the music of the Jiu-shao or the Xian-chi
洞庭 were performed in the wild of the Dong-ting lake,
birds would fly away,
and beasts would run off when they heard it,
and fishes would dive down to the bottom of the water;
while men, when they hear it,
would come all round together, and look on.
Fishes live and men die in the water.
They are different in constitution,
and therefore differ in their likes and dislikes.
Hence it was that the ancient sages did not require (from all) the same ability,
nor demand the same performances.
They gave names according to the reality of what was done,
and gave their approbation where it was specially suitable.
。」 This was what was called the method of universal adaptation and of sure success.'


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