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中國哲學書電子化計劃
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儒家 -> 禮記 -> 樂記 -> 46

樂也者，動於內者也；Music springs from the inward movements (of the soul);
禮也者，動於外者也。 ceremonies appear in the outward movements (of the body).
故禮主其減，樂主其盈。Hence it is the rule to make ceremonies as few and brief as possible, and to give to music its fullest development.
禮減而進，以進為文：樂盈而反，以反為文。禮減而不進則銷，樂盈而不反則放；故禮有報而樂有反。禮得其報則樂，樂得其反則安；禮之報，樂之反，其義一也。 This rule for ceremonies leads to the forward exhibition of them, and therein their beauty resides; that for music leads to the introspective consideration of it, and therein its beauty resides. If ceremonies demanding this condensation were not performed with this forward exhibition of them, they would almost disappear altogether; if music, demanding this full development, were not accompanied with this introspection, it would produce a dissipation of the mind. Thus it is that to every ceremony there is its proper response, and for music there is its introspection. When ceremonies are responded to, there arises pleasure; and when music is accompanied with the right introspection, there arises the (feeling of) repose. The responses of ceremony and the introspection of music spring from one and the same idea, and have one and the same object.

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