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中国哲学书电子化计划
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儒家 -> 礼记 -> 乐记 -> 49

故听其雅、颂之声，志意得广焉；执其干戚，习其俯仰诎伸，容貌得庄焉；行其缀兆，要其节奏，行列得正焉，进退得齐焉。In listening to the singing of the Ya and the Song, the aims and thoughts receive an expansion. From the manner in which the shields and axes are held and brandished, and from the movements of the body in the practice with them, now turned up, now bent down, now retiring, now stretching forward, the carriage of the person receives gravity. From the way in which (the pantomimes) move to their several places, and adapt themselves to the several parts (of the performance), the arrangement of their ranks is made correct, and their order in advancing and re tiring is secured.
故乐者天地之命，中和之纪，人情之所不能免也。In this way music becomes the lesson of Heaven and Earth, the regulator of true harmony, and what the nature of man cannot dispense with.
夫乐者，先王之所以饰喜也，军旅鈇钺者，先王之所以饰怒也。It was by music that the ancient kings gave elegant expression to their joy; by their armies and axes that they gave the same to their anger.
故先王之喜怒，皆得其侪焉。喜则天下和之，怒则暴乱者畏之。 Hence their joy and anger always received their appropriate response. When they were joyful, all under heaven were joyful with them; when they were angry, the oppressive and disorderly feared them.
先王之道，礼乐可谓盛矣。In the ways of the ancient kings, ceremonies and music may be said to have attained perfection.

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