在Facebook上關注我們,隨時得到最新消息 在Twitter上關注我們,隨時得到最新消息 在新浪微博上關注我們,隨時得到最新消息 在豆瓣上關注我們,隨時得到最新消息
中國哲學書電子化計劃
譯文對照:[不顯示] [英文翻譯]
顯示統計 修改檢索內容檢索內容:
檢索範圍: 先秦兩漢 檢索類型: 段落
條件1: 包括屬性 "Literary properties" 符合次數:6.
共6段落。第1頁,共1頁。

先秦兩漢

相關資源

道家 - Daoism

相關資源

莊子 - Zhuangzi

[戰國] 公元前350年-公元前250年 英文翻譯:理雅各(James Legge)[?]
提到《莊子》的書籍 電子圖書館
資料來源
相關資源
[又名:《南華真經》]

內篇 - Inner Chapters

電子圖書館

養生主 - Nourishing the Lord of Life

英文翻譯:理雅各(James Legge)[?]
提到《養生主》的書籍 電子圖書館
2 養生主:
丁為文惠君解牛,手之所觸,肩之所倚,足之所履,膝之所踦,砉然嚮然,奏刀騞然,莫不中音。合於《桑林》之舞,乃中《經首》之會。文惠君曰:「譆!善哉!技蓋至此乎?」庖丁釋刀對曰:「臣之所好者道也,進乎技矣。始臣之解牛之時,所見无非牛者。三年之後,未嘗見全牛也。方今之時,臣以神遇,而不以目視,官知止而神欲行。依乎天理,批大郤,導大窾,因其固然。技經肯綮之未嘗,而況大軱乎!良庖歲更刀,割也;族庖月更刀,折也。今臣之刀十九年矣,所解數千牛矣,而刀刃若新發於硎。彼節者有間,而刀刃者无厚,以无厚入有間,恢恢乎其於遊刃必有餘地矣,是以十九年而刀刃若新發於硎。雖然,每至於族,吾見其難為,怵然為戒,視為止,行為遲。動刀甚微,謋然已解,如土委地。提刀而立,為之四顧,為之躊躇滿志,善刀而藏之。」文惠君曰:「善哉!吾聞庖丁之言,得養生焉。」
Nourishing the Lord of...:
His cook was cutting up an ox for the ruler Wen Hui. Whenever he applied his hand, leaned forward with his shoulder, planted his foot, and employed the pressure of his knee, in the audible ripping off of the skin, and slicing operation of the knife, the sounds were all in regular cadence. Movements and sounds proceeded as in the dance of 'the Mulberry Forest' and the blended notes of the King Shou.' The ruler said, 'Ah! Admirable! That your art should have become so perfect!' (Having finished his operation), the cook laid down his knife, and replied to the remark, 'What your servant loves is the method of the Dao, something in advance of any art. When I first began to cut up an ox, I saw nothing but the (entire) carcase. After three years I ceased to see it as a whole. Now I deal with it in a spirit-like manner, and do not look at it with my eyes. The use of my senses is discarded, and my spirit acts as it wills. Observing the natural lines, (my knife) slips through the great crevices and slides through the great cavities, taking advantage of the facilities thus presented. My art avoids the membranous ligatures, and much more the great bones. A good cook changes his knife every year; (it may have been injured) in cutting - an ordinary cook changes his every month - (it may have been) broken. Now my knife has been in use for nineteen years; it has cut up several thousand oxen, and yet its edge is as sharp as if it had newly come from the whetstone. There are the interstices of the joints, and the edge of the knife has no (appreciable) thickness; when that which is so thin enters where the interstice is, how easily it moves along! The blade has more than room enough. Nevertheless, whenever I come to a complicated joint, and see that there will be some difficulty, I proceed anxiously and with caution, not allowing my eyes to wander from the place, and moving my hand slowly. Then by a very slight movement of the knife, the part is quickly separated, and drops like (a clod of) earth to the ground. Then standing up with the knife in my hand, I look all round, and in a leisurely manner, with an air of satisfaction, wipe it clean, and put it in its sheath.' The ruler Wen Hui said, 'Excellent! I have heard the words of my cook, and learned from them the nourishment of (our) life.'

技巧故事 [先秦] [漢後] 顯示屬性訊息

外篇 - Outer Chapters

英文翻譯:理雅各(James Legge)[?] 電子圖書館

天道 - The Way of Heaven

英文翻譯:理雅各(James Legge)[?]
提到《天道》的書籍 電子圖書館
9 天道:
世之所貴道者,書也,書不過語,語有貴也。語之所貴者,意也,意有所隨。意之所隨者,不可以言傳也,而世因貴言傳書。世雖貴之,我猶不足貴也,為其貴非其貴也。故視而可見者,形與色也;聽而可聞者,名與聲也。悲夫!世人以形色名聲為足以得彼之情!夫形色名聲果不足以得彼之情,則知者不言,言者不知,而世豈識之哉!
The Way of Heaven:
What the world thinks the most valuable exhibition of the Dao is to be found in books. But books are only a collection of words. Words have what is valuable in them - what is valuable in words is the ideas they convey. But those ideas are a sequence of something else - and what that something else is cannot be conveyed by words. When the world, because of the value which it attaches to words, commits them to books, that for which it so values them may not deserve to be valued - because that which it values is not what is really valuable. Thus it is that what we look at and can see is (only) the outward form and colour, and what we listen to and can hear is (only) names and sounds. Alas! that men of the world should think that form and colour, name and sound, should be sufficient to give them the real nature of the Dao. The form and colour, the name and sound, are certainly not sufficient to convey its real nature; and so it is that 'the wise do not speak and those who do speak are not wise.' How should the world know that real nature?
桓公讀書於堂上,輪扁斲輪於堂下,釋椎鑿而上,問桓公曰:「敢問公之所讀者何言邪?」公曰:「聖人之言也。」曰:「聖人在乎?」公曰:「已死矣。」曰:「然則君之所讀者,古人之糟魄已夫!」桓公曰:「寡人讀書,輪人安得議乎!有說則可,無說則死。」輪扁曰:「臣也,以臣之事觀之。斲輪,徐則甘而不固,疾則苦而不入。不徐不疾,得之於手而應於心,口不能言,有數存焉於其間。臣不能以喻臣之子,臣之子亦不能受之於臣,是以行年七十而老斲輪。古之人與其不可傳也死矣,然則君之所讀者,古人之糟魄已夫。」
Duke Huan, seated above in his hall, was (once) reading a book, and the wheelwright Bian was making a wheel below it. Laying aside his hammer and chisel, Bian went up the steps, and said, 'I venture to ask your Grace what words you are reading?' The duke said, 'The words of the sages.' 'Are those sages alive?' Bian continued. 'They are dead,' was the reply. 'Then,' said the other, 'what you, my Ruler, are reading are only the dregs and sediments of those old men.' The duke said, 'How should you, a wheelwright, have anything to say about the book which I am reading? If you can explain yourself, very well; if you cannot, you shall, die!' The wheelwright said, 'Your servant will look at the thing from the point of view of his own art. In making a wheel, if I proceed gently, that is pleasant enough, but the workmanship is not strong; if I proceed violently, that is toilsome and the joinings do not fit. If the movements of my hand are neither (too) gentle nor (too) violent, the idea in my mind is realised. But I cannot tell (how to do this) by word of mouth; there is a knack in it. I cannot teach the knack to my son, nor can my son learn it from me. Thus it is that I am in my seventieth year, and am (still) making wheels in my old age. But these ancients, and what it was not possible for them to convey, are dead and gone: so then what you, my Ruler, are reading is but their dregs and sediments!'

技巧故事 [先秦] [漢後] 顯示屬性訊息

達生 - The Full Understanding of Life

英文翻譯:理雅各(James Legge)[?]
提到《達生》的書籍 電子圖書館
3 達生:
仲尼適楚,出於林中,見痀僂者承蜩,猶掇之也。仲尼曰:「子巧乎?有道邪?」曰:「我有道也。五六月累丸,二而不墜,則失者錙銖;累三而不墜,則失者十一;累五而不墜,猶掇之也。吾處身也若厥株拘,吾執臂也若槁木之枝,雖天地之大,萬物之多,而唯蜩翼之知。吾不反不側,不以萬物易蜩之翼,何為而不得!」孔子顧謂弟子曰:「用志不分,乃凝於神,其痀僂丈人之謂乎!」
The Full Understanding of...:
When Zhongni was on his way to Chu, as he issued from a forest, he saw a hunchback receiving cicadas (on the point of a rod), as if he were picking them up with his hand. 'You are clever!' said he to the man. 'Is there any method in it?' The hunchback replied, 'There is. For five or six months, I practised with two pellets, till they never fell down, and then I only failed with a small fraction of the cicadas (which I tried to catch). Having succeeded in the same way with three (pellets), I missed only one cicada in ten. Having succeeded with five, I caught the cicadas as if I were gathering them. My body is to me no more than the stump of a broken trunk, and my shoulder no more than the branch of a rotten tree. Great as heaven and earth are, and multitudinous as things are, I take no notice of them, but only of the wings of my cicadas; neither turning nor inclining to one side. I would not for them all exchange the wings of my cicadas - how should I not succeed in taking them?' Confucius looked round, and said to his disciples, '"Where the will is not diverted from its object, the spirit is concentrated" - this might have been spoken of this hunchback gentleman.'

技巧故事 [先秦] [漢後] 顯示屬性訊息

4 達生:
顏淵問仲尼曰:「吾嘗濟乎觴深之淵,津人操舟若神。吾問焉,曰:『操舟可學邪?』曰:『可。善游者數能。若乃夫沒人,則未嘗見舟而便操之也。』吾問焉而不吾告,敢問何謂也?」仲尼曰:「善游者數能,忘水也。若乃夫沒人之未嘗見舟而便操之也,彼視淵若陵,視舟之覆猶其車卻也。覆卻萬方陳乎前而不得入其舍,惡往而不暇!以瓦注者巧,以鉤注者憚,以黃金注者殙。其巧一也,而有所矜,則重外也。凡外重者內拙。」
The Full Understanding of...:
Yan Yuan asked Zhongni, saying, 'When I was crossing the gulf of Shang-shen, the ferryman handled the boat like a spirit. I asked him whether such management of a boat could be learned, and he replied, "It may. Good swimmers can learn it quickly; but as for divers, without having seen a boat, they can manage it at once." He did not directly tell me what I asked - I venture to ask you what he meant.' Zhongni replied, 'Good swimmers acquire the ability quickly - they forget the water (and its dangers). As to those who are able to dive, and without having seen a boat are able to manage it at once, they look on the watery gulf as if it were a hill-side, and the upsetting of a boat as the going back of a carriage. Such upsettings and goings back have occurred before them multitudes of times, and have not seriously affected their minds. Wherever they go, they feel at ease on their occurrence. He who is contending for a piece of earthenware puts forth all his skill. If the prize be a buckle of brass, he shoots timorously; if it be for an article of gold, he shoots as if he were blind. The skill of the archer is the same in all the cases; but (in the two latter cases) he is under the influence of solicitude, and looks on the external prize as most important. All who attach importance to what is external show stupidity in themselves.'

技巧故事 [先秦] [漢後] 顯示屬性訊息

10 達生:
孔子觀於呂梁,縣水三十仞,流沫四十里,黿鼉魚龞之所不能游也。見一丈夫游之,以為有苦而欲死也,使弟子並流而拯之。數百步而出,被髮行歌而游於塘下。孔子從而問焉,曰:「吾以子為鬼,察子則人也。請問蹈水有道乎?」曰:「亡,吾無道。吾始乎故,長乎性,成乎命。與齊俱入,與汩偕出,從水之道而不為私焉。此吾所以蹈之也。」孔子曰:「何謂始乎故,長乎性,成乎命?」曰:「吾生於陵而安於陵,故也;長於水而安於水,性也;不知吾所以然而然,命也。」
The Full Understanding of...:
Confucius was looking at the cataract near the gorge of Lu, which fell a height of 240 cubits, and the spray of which floated a distance of forty li, (producing a turbulence) in which no tortoise, gavial, fish, or turtle could play. He saw, however, an old man swimming about in it, as if he had sustained some great calamity, and wished to end his life. Confucius made his disciples hasten along the stream to rescue the man; and by the time they had gone several hundred paces, he was walking along singing, with his hair dishevelled, and enjoying himself at the foot of the embankment. Confucius followed and asked him, saying, 'I thought you were a sprite; but, when I look closely at you, I see that you are a man. Let me ask if you have any particular way of treading the water.' The man said, 'No, I have no particular way. I began (to learn the art) at the very earliest time; as I grew up, it became my nature to practise it; and my success in it is now as sure as fate. I enter and go down with the water in the very centre of its whirl, and come up again with it when it whirls the other way. I follow the way of the water, and do nothing contrary to it of myself - this is how I tread it.' Confucius said, 'What do you mean by saying that you began to learn the art at the very earliest time; that as you grew up, it became your nature to practise it, and that your success in it now is as sure as fate?' The man replied, 'I was born among these hills and lived contented among them - that was why I say that I have trod this water from my earliest time. I grew up by it, and have been happy treading it - that is why I said that to tread it had become natural to me. I know not how I do it, and yet I do it - that is why I say that my success is as sure as fate.'

技巧故事 [先秦] [漢後] 顯示屬性訊息

11 達生:
梓慶削木為鐻,鐻成,見者驚猶鬼神。魯侯見而問焉,曰:「子何術以為焉?」對曰:「臣工人,何術之有!雖然,有一焉。臣將為鐻,未嘗敢以耗氣也,必齊以靜心。齊三日,而不敢懷慶賞爵祿;齊五日,不敢懷非譽巧拙;齊七日,輒然忘吾有四枝形體也。當是時也,無公朝,其巧專而外骨消;然後入山林,觀天性;形軀至矣,然後成見鐻,然後加手焉;不然則已。則以天合天,器之所以疑神者,其是與?」
The Full Understanding of...:
Qing, the Worker in Rottlera wood, carved a bell-stand, and when it was completed, all who saw it were astonished as if it were the work of spirits. The marquis of Lu went to see it, and asked by what art he had succeeded in producing it. 'Your subject is but a mechanic,' was the reply; 'what art should I be possessed of? Nevertheless, there is one thing (which I will mention). When your servant had undertaken to make the bell-stand, I did not venture to waste any of my power, and felt it necessary to fast in order to compose my mind. After fasting for three days, I did not presume to think of any congratulation, reward, rank, or emolument (which I might obtain by the execution of my task); after fasting five days, I did not presume to think of the condemnation or commendation (which it would produce), or of the skill or want of skill (which it might display). At the end of the seven days, I had forgotten all about myself - my four limbs and my whole person. By this time the thought of your Grace's court (for which I was to make the thing) had passed away; everything that could divert my mind from exclusive devotion to the exercise of my skill had disappeared. Then I went into the forest, and looked at the natural forms of the trees. When I saw one of a perfect form, then the figure of the bell-stand rose up to my view, and I applied my hand to the work. Had I not met with such a tree, I must have abandoned the object; but my Heaven-given faculty and the Heaven-given qualities of the wood were concentrated on it. So it was that my spirit was thus engaged in the production of the bell-stand.'

技巧故事 [先秦] [漢後] 顯示屬性訊息

共6段落。第1頁,共1頁。