| | 七: |
傅玄《七謨序》曰：昔枚乘作七發，而屬文之士，若傅毅劉廣世崔駰李尤桓麟崔琦劉梁之徒，承其流而作之者紛焉。七激七興七依七疑七說七蠲七舉之篇，通儒大才，馬季長，張平子，亦引其源而廣之，馬作七厲，張造七辯，非張氏至恩，比之七激，未為劣也。七釋僉曰妙焉。吾無間矣。若七激七依之卓轢一技，七辯之纏綿精巧，七啟之奔逸壯麗，七釋之情密閑理，亦近代之所希也。摯虞文章流別論曰：七發造於枚乘，借吳楚以為客主，先言出輿入輦，蹶痿之損，深宮洞房，寒暑之疾，靡漫美色，宴安之毒，厚味暖服，淫躍之害，宜聽世之君子，要言妙道，以疏神導體，蠲淹滯之累，既設此辭，以顯明去就之路，而後說以聲色逸遊之樂，其說不入，乃陳聖人辯士講論之娛，而霍然疾瘳，此固膏粱之常疾，以為匡勸，雖有甚泰之辭，而不沒其諷諭之義也。其流遂廣，其義遂變，率有辭人淫麗之尤矣。崔駰既作七依。而假非有先生之言曰：嗚呼楊雄有言，童子雕蟲篆刻。俄而曰：壯夫不為也。孔子疾小言破道，斯文之族，豈不謂義不足而辯有餘者乎。賦者將以諷，吾恐其不免於勸也。傅子集古今七而論品之，署曰七林。 |
| | Fu Xuan's "Preface to the Seven Momo" says: In the past, Mei Cheng composed the "Seven Stimuli," and literary men such as Fu Yi, Liu Guangshi, Cui Yin, Li You, Huan Lin, Cui Qi, and Liu Liang followed its style in producing similar works. The essays "Seven Stimuli," "Seven Excitements," "Seven Reliances," "Seven Doubts," "Seven Explanations," "Seven Purifications," and "Seven Elevations" were written by erudite scholars of great talent, such as Ma Jichang and Zhang Pingzi, who also drew from this tradition and expanded upon it. Ma composed the "Seven Censures," while Zhang created the "Seven Debates." If one compares Zhang's work to Mei Cheng's "Seven Stimuli," it is not inferior. The "Seven Explanations" are generally considered excellent. I have no objections. If the excellence of a single technique in "Seven Stimuli" and "Seven Reliances," the intricate delicacy of the "Seven Debates," the vigorous grandeur of the "Seven Inspirations," and the emotional depth and refined reasoning of the "Seven Explanations" are considered, they are also rare achievements in recent times. Zhi Yu's "Treatise on the Distinctions of Literary Styles" says: The "Seven Stimuli" was created by Mei Cheng, who used Wu and Chu as representatives for host and guest. Initially, he spoke about riding in carriages and sedan chairs, the damage caused by lameness and atrophy, the illnesses from cold and heat within secluded palaces, the harm of indulging in beautiful scenery and leisurely ease, the dangers of rich flavors and warm clothing leading to excessive excitement. He advised the virtuous men of his time to listen to essential words and profound teachings that could invigorate the spirit and strengthen the body, thus eliminating accumulated ailments. After setting forth these arguments to clearly indicate a path between right and wrong, he then described the pleasures of music, color, and luxurious travel; when such descriptions failed to move the listener, he finally presented the entertainment of wise men and eloquent scholars discussing and debating, which suddenly cured the illness. This was indeed a common ailment among those who lived in luxury, used as an example for admonition and encouragement. Although his language may have been overly extravagant, it did not obscure its meaning of satire and instruction. Its influence thus spread widely, but its original meaning gradually changed; generally, the writings became especially extravagant and ornate in style. Cui Yin composed the "Seven Reliances." And he quoted a saying from Feiyou Xiansheng: "Alas! Yang Xion once said, 'A child carves insects and engraves seals.'" Soon after it says: "Such things are not done by a strong man." Confucius despised trivial words that undermined the Way. Is this not referring to those who lack in meaning but are excessive in rhetoric? Fu poetry was intended as satire, yet I fear it cannot avoid becoming mere encouragement. Fu Zi collected seven examples from ancient and modern times to discuss and evaluate them, naming the collection "Qi Lin."
|
| | 七: |
《漢枚乘七發》曰：楚太子有疾。吳客往問之曰：伏聞太子玉體不安，亦少間乎。今夫貴人之子，必宮居而閨處，飲食則溫淳甘膬，衣則雜遝曼煖，雖有金石之堅，將猶銷鑠而挺解也。況其在筋骨之間乎。且夫出輿入輦，命曰蹶痿之幾，洞房清宮，命曰寒熱之媒，皓齒蛾眉，命曰伐性之斧，甘脆肥醲，命曰腐腸之藥，今太子膚色靡曼，四支委隨，筋骨挺解，越女侍前，齊姬奉後，往來遊宴，縱恣乎曲房隱閒之中，此甘餐毒藥，戲猛獸之爪牙也。雖令扁鵲治內，巫咸治外，尚何及哉。客曰：太子之病，可以要言妙道說而去也。不欲聞之乎。太子曰：僕願聞之。客曰：龍門之桐，高百尺而無枝，中鬱結之輪囷，根扶疏以分離，上有千仞之峰，下臨百丈之谿，湍流溯波，又淡淡之，其根半死半生，冬則烈風漂霰飛雪之所激也。夏則雷霆霹靂之所撼也。朝則鸝黃鳱鴠鳴焉。暮則羈雌迷鳥宿焉。獨鵠晨號乎其上，鶤雞哀鳴，翔乎其下，於是背秋涉冬，使班爾斫斬以為琴，野蠒之絲以為絃，使師堂操張，伯牙為之歌。歌曰：麥秀●兮雉朝飛，向虛壑兮背喬槐，依絕區兮臨迴池，飛鳥聞之，翕翼而不能去，野獸聞之，垂耳而不能行，蚑蟜螻蛾聞之，柱喙而不能前，此亦天下之至悲也。太子能強起而聽之乎。為之右，於是使射千鎰之重，爭千里之逐，此亦天下之至駿也。太子能強乘乎。客曰：既登景夷之臺，南望荊山，北望汝海，左江右湖，其樂無有，乃下置酒於娛懷之宮，連廊四注，紛紜玄綠，輦道邪交，黃池紆曲，溷章白鷺，鴛鴦鶤鵠，鵷鶵鵁鶄，翠鬣紫纓，女桑河柳，素葉紫莖，松柏豫樟，條上造天，梧桐栟櫚，極望成林，乃發激楚之結風，揚鄭衛之皓齒，雜裾垂髾，目窈心與，榆流波，雜杜若，蒙清塵，被蘭澤，嬿服而御，此亦天下靡麗皓侈廣博之樂也。太子能起強遊乎。客曰：將為太子馴騏驥之馬，駕飛軨之輿，乘牡駿之乘，右夏服之勁箭，左烏號之雕弓，周馳兮蘭澤，弭節乎江潯，掩青蘋，遊清風，陶陽氣，蕩春心，逐狡獸，集輕禽，於是極犬馬之才，困野獸之足，此校獵之至壯也。太子能強遊乎。客曰：榛林深澤，煙雲暗漠，兕獸並行，毅武孔猛，袒裼身博，收獲掌功，賞賜金帛，旨酒嘉肴，羞包膾炙，以御賓客，貞信之色，形以金石，高歌陳唱，萬歲無斁，能起強遊之乎。太子曰：僕甚願從，直恐為諸大夫累耳。客曰：將以八月之望，往觀濤乎廣陵之曲江，足以駭矣。恍兮惚兮，憀兮慄兮，虹洞兮倉天，極慮兮崖涘，汩乘流而下降，或不知其所止，當是之時，雖有淹病滯疾，將傴申起蹶，發瞽披聾而觀望也。況直眇小煩懣，酲醲病酒之徒哉。太子曰：善，然則濤何氣哉。客曰：聞於師曰：其始起也。淋淋焉若白鷺之下翔，其少進也。浩浩溰溰，如素車白馬幃蓋之張，其波涌而雲亂，擾擾焉如三軍之騰裝，其旁作而奔起也。飄飄焉如輕車之勒兵，太子能起觀乎。客曰：將為太子奏方術之士，有資略者，若莊周魏牟楊朱墨翟詹何之倫，使之論天下之精微，理萬物之是非，孔老覽觀，孟子持籌而筭之，萬不失一，此亦天下要言妙道也。太子豈欲聞之乎。於是太子據几而起曰：渙乎一聽聖人辯士之言，霍然病已。 |
| | The "Seven Stimuli by Mei Cheng of the Han Dynasty" says: The Crown Prince of Chu fell ill. A guest from Wu went to inquire, saying: "I have heard that the Crown Prince's noble body is unwell; has there been some improvement?" Now, the son of a noble person must reside in palaces and chambers; his food is warm, mellow, and sweetly rich, and his clothing is layered and warmly luxurious. Even if one has the firmness of gold and stone, it will still be eroded and gradually worn away. How much more so when it affects the muscles and bones! Moreover, the constant use of carriages and palanquins is the cause of lameness and atrophy; secluded chambers and cool palaces are the causes of colds and fevers. Beautiful teeth and delicate eyebrows are axes that destroy one's nature; sweet, crisp, and rich foods are medicines that rot the intestines. Now, the Crown Prince has a soft and delicate complexion, his limbs hang limp, his muscles and bones gradually disintegrate. A woman from Yue serves before him, while a lady from Qi waits behind. He roams in banquets, indulging freely within secluded chambers—this is like eating poison as if it were food, playing with the claws and teeth of fierce beasts. Even if Bian Que treats from within and Wuxian treats from without, how could it still be too late? The guest said: "The Crown Prince's illness can be cured by essential words and profound teachings." Would you not like to hear them? The Crown Prince said: "I would gladly listen." The guest said: "A camphor tree at Longmen Gate, a hundred feet tall with no branches, has knots and bulges in its trunk. Its roots spread out and branch apart. Above it rise peaks of a thousand ren, while below lies a ravine a hundred zhang deep. The swift current flows upstream, gently lapping against the base. Half of its roots are dead, half alive; in winter, fierce winds, drifting sleet, and flying snow strike it violently." In summer, it is shaken by thunderclaps and lightning. In the morning, orioles, yellowbirds, jays, and bulbuls sing around it. At dusk, lost hens and wandering birds roost in its branches. A solitary crane cries out above it at dawn, while the kung ji wails mournfully and flies beneath. Thus, as autumn turns to winter, someone named Banei chops it down to make a zither, using wild silkworm silk for its strings. He entrusts Shitang to tune it and asks Boya to sing for it. The song goes: "Wheat sprouts lush, pheasants fly at dawn; facing empty ravines and turning from tall 槐 trees. Relying on lofty heights, overlooking winding pools. Birds hear it and close their wings but cannot leave; wild beasts hear it and lower their ears but cannot move forward; crawling insects and moths hear it and hold their mouths but cannot advance. This is indeed the greatest sorrow in the world." Can the Crown Prince force himself to rise and listen? To his right, they then made him shoot a bow with a pull of one qian, and compete in races over a thousand li—this was also the swiftest horse in the world. Can the Crown Prince manage to ride it? The guest said: "After ascending the Jingyi Terrace, looking south to Mount Jing and north to Ru Lake, with rivers on the left and lakes on the right, there is no greater joy. They then descended to hold a banquet in the Yuhuai Palace, where corridors stretched out in all directions, dark green and lush. The palanquin roads intersected at odd angles, while yellow pools meandered in winding curves. There were mixed flocks of white egrets, mandarin ducks, kung ji cranes, yuanchu birds, xingqing geese, emerald-feathered fish eagles with purple tassels, mulberry trees and river willows with pale leaves and purple stems, cypresses, pines, huangzhang trees, whose branches reached the sky; ginkgoes and palm trees stretched out as far as the eye could see. They then played the stirring music of Juchu, sang songs praising the beauty of Zheng and Wei, their flowing robes trailing behind them, their eyes dark and hearts stirred. The water shimmered with waves, mixed with fragrant mugwort and sweet flag; they were dusted by light pollen and perfumed by orchid dew, dressed in elegant garments to serve—this was indeed the most luxurious, dazzling, and expansive pleasure of the world." Can the Crown Prince rise and join this feast? The guest said: "I shall train for the Crown Prince a swift qiji horse, harness it to a flying carriage, mount him on a powerful stallion. To his right will be strong arrows from Xiafu; in his left hand, an engraved bow of Wuhao. He will gallop across the fragrant marshes and pause by the riverbanks, covering green water lilies and drifting through the cool breeze, invigorated by spring's warmth and stirred by springtime feelings. He shall chase cunning beasts and gather light-flying birds. Thus, he will fully demonstrate his dogs' and horses' talents, exhausting the feet of wild animals—this is indeed the grandest spectacle of a hunting expedition." Can the Crown Prince manage such an outing? The guest said: "In the dense forests and deep marshes, mists and clouds obscure the land. Rhinoceroses and beasts move side by side; their strength is fierce and formidable. Stripped to the waist, they wrestle with their own hands, achieving feats of capture in the palm of their hand. Rewards are given in gold and silk, fine wine and delicious dishes served, delicacies such as roasted meat and minced fish offered to guests. The sincere and trustworthy expressions shine like gold and stone; songs and chants echo loudly, continuing for ten thousand years without fading. Can you rise and join this grand feast?" The Crown Prince said: "I would very much like to follow, but I am afraid it might be a burden for the great officials." The guest said: "I shall take you on the fifteenth day of the eighth month to watch the great waves at Qujiang in Guangling; it will be a sight sufficient to startle one." It will be hazy and indistinct, stirring awe and trembling. Rainbows pierce the sky; one's thoughts stretch to the cliffs and shores. The surging current rushes downward, sometimes without knowing where it ends. At such a moment, even those suffering from lingering illnesses or chronic ailments would straighten up, leap forward, open their eyes, unplug their ears, and gaze in wonder. How much more so for those with minor ailments or slight vexations, or for people who are drunk on rich wine! The Crown Prince said: "Fine. Then what kind of atmosphere does this great wave possess?" The guest said: "I have heard from my teacher that when it first begins..." It flows gently, like a white egret gliding downward; as it advances slightly... It is vast and surging, like the white chariots and white horses with their canopies spread wide. Its waves rise up in confusion, swirling as if an entire army were galloping into formation; on its sides, it bursts forth and rushes forward. It drifts lightly, like a swift chariot leading an army—can the Crown Prince rise to watch? The guest said: "I shall present to the Crown Prince scholars of strategy and learning, such as Zhuang Zhou, Wei Mou, Yang Zhu, Mo Di, Zhan He and others like them. Let them discuss the most profound truths about the world and clarify the right and wrong in all things. Confucius and Laozi would observe, while Mencius holds a tally stick to calculate it—without missing one out of ten thousand. This is also among the essential words and subtle teachings of the world." Would the Crown Prince like to hear this? At this, the Crown Prince leaned on his table and rose, saying: "Suddenly, after hearing the words of sages and eloquent men, my illness has vanished!"
|
| | 七: |
《後漢傅毅七激》曰：徒華公子，託病幽處，游心於玄妙，清思乎黃老。於是玄通子聞而往屬曰：僕聞君子當世而光跡，因時以舒志，必將銘勒功勳，懸著隆高，今公子削跡藏體，當年陸沉，變度易趣，違拂雅心，挾六經之指，守偏塞之術，意亦有所蔽與，何圖身之謬也。僕將為公子論天下之至妙，列耳目之通好，原情心之性理，綜道德之彌奧，豈欲聞之乎。公子曰：僕雖不敏，固願聞之。玄通子曰：洪梧幽生，生于遐荒，陽春後榮，涉秋先彫，晨飆飛礫，孫禽相求，積雪涐涐，中夏不流，於是乃使夫遊宦失勢，窮擯之士，泳溺水，越炎火，窮林薄，歷隱深，三秋乃獲，斷之高岑，梓匠摹度，擬以斧斤，然後背洞壑，臨絕谿，聽迅波，望曾崖，大師奏操，榮期清歌。歌曰：陟景山兮採芳苓，哀不慘傷，樂不流聲，彈羽躍水，叩角奮榮，沉微玄穆，感物寤靈，此亦天下之妙音也。子能強起而聽之乎。玄通子曰：單極滋味，嘉旨之膳，芻豢常珍，庶差異饌，涔養之魚，膾其鯉魴，分毫之割，纖如髮芒，散如絕穀，積如委紅，殊芳異味，厥和不同，既食日晏，乃進夫雍州之災，出于麗陰，下生芷隰，上託桂林，甘露潤其葉，醴泉漸其根，脆不抗齒，在口流液，握之摧沮，批之離坼，可以解煩，悁悅心意，子能起而食之乎。玄通子曰：驥騄之乘，龍驤超攄，騰虛鳥踊，莫能執御，於是乃使王良理轡，操以術教，踐路促節，機登飆驅，前不可先，後不可追，踰埃絕影，焂忽若飛，日不轉曜，窮遠旋歸，此蓋天下之駿馬，子能強起而乘之乎。玄通子曰：三時既逝，季冬暮歲，玄冥終統，庶卉零悴，王在靈囿，講戎簡旅，於是駟驥騄，乘輕軒，麾旄旗，鳴八鸞，陳眾車于廣隰，散列騎乎平原，屬罘網以彌野，連罻羅以營山，部曲周匝，風動雲旋，合團促陣，禽獸駭殫，仆不暇起，窮不及旋，擊不待刃，骨解肉離，摧牙碎首，分其文皮，流血丹野，羽毛翳日，於是下蘭皋，臨流泉，觀通谷，望景山，酌旨酒，割芳鮮，此天下之至娛也。子能強起而觀之乎。玄通子曰：當館侈飾，洞房華屋，楹桷雕藻，文以朱綠，曾臺百仞，臨望博見，俯視雲霧，騁目窮觀，園藪平夷，沼池漫衍，禽獸群交，芳草華蔓，於是賓友所歡，近覽從容，詹公沉餌，蒲且飛紅，綸不虛出，矢不徒降，投鉤必獲，控弦加雙，俯盡深潛，仰殫輕翼，日移怠倦，然後讌息，列觴酌醴，妖靡侍側，被華文，曳綾縠，弭隨珠，佩琚玉，紅顏呈素，蛾眉不畫，脣不施朱，髮不加澤，升龍舟，浮華池，紆帷翳而永望，鏡形影於玄流，偏滔滔以南北，似漢女之神遊，笑比目之雙躍，樂偏禽之匹嬉，此亦天下之歡也。子能強起而與之遊乎。玄通子曰：漢之盛世，存乎永平，太和協暢，萬機穆清，於是群俊學士，雲集辟雍，含詠聖術，文質發曚，達犧農之妙旨，照虞夏之典墳，遵孔氏之憲則，投顏閔之高跡，推義窮類，靡不博觀，光潤嘉美，世宗其言。公子瞿然而興曰：至乎。主得聖道，天基允臧，明哲用思，君子所常，自知沉溺，久蔽不悟，請誦斯語，仰子法度。 |
| | The "Seven Stimuli by Fu Yi of the Later Han" says: "Tu Hua Gongzi, feigning illness and retreating to a secluded place, devoted his mind to the profound mysteries, contemplating in tranquility the teachings of Huang-Lao." At this, Xuantongzi heard of it and went to visit him, saying: "I have heard that a gentleman shines in his time by leaving a glorious legacy, expressing his aspirations according to the times. He must carve his achievements into history and establish lofty fame. Now, you, Gongzi, erase your traces and hide your body, sinking silently during your prime years, changing your course and abandoning noble aspirations. You cling to the principles of the Six Classics while adhering to a narrow and obstructed path—surely there is something that blinds you? How strange it is for one's conduct to be so misguided!" "I shall speak to you, Gongzi, about the most profound truths of the world, list what delights the ears and eyes, explore the nature and principles of human emotions, and summarize the vast depths of morality. Would you like to hear it?" Gongzi said: "Though I may not be quick-witted, I would gladly listen." Xuantongzi said: "A great camphor tree grows in seclusion, born in distant wilderness. It blooms late in spring and withers early in autumn. Morning gales carry flying stones; young birds seek each other out. Accumulated snow falls heavily, yet it does not melt even in midsummer. Thus, those who travel for office but lose their position, the poor and rejected scholars, must swim through water, cross fiery flames, traverse dense forests, and pass through hidden depths. After three autumns they are finally found, cut down from high hills. The master craftsman measures it carefully, preparing axes to shape it. Then, turning away from deep ravines and facing precipitous streams, listening to the swift current and gazing at towering cliffs, a great musician plays his zither while Rongqi sings in clear tones." The song says: "Climb Mount Jing and gather fragrant herbs; sorrow is not deep, joy does not echo. Pluck the yu strings to leap over water, strike the jue notes to revive glory. Profound and mysterious, it stirs all things and awakens spirits—this is also the most wondrous music in the world." Can you rise up and listen to it? Xuantongzi said: "Savor the most exquisite flavors, and enjoy delicacies of refined taste. The food includes choice grains and well-fed livestock, with a variety of dishes differing in quality. Fish raised in still waters—sliced carp and mandarin fish—are cut so finely that each piece is as thin as a hair's tip or scattered like broken grain, yet piled up like falling red petals. Each dish has its own unique fragrance and flavor, harmonizing differently. After eating until the day wanes, we then present the disaster of Yongzhou [a metaphor for rare delicacies], which grows in shady places below fragrant reed marshes and rests above cypress groves. Sweet dew moistens its leaves; nectarous springs nourish its roots. So tender is it that it does not resist the teeth but flows as liquid in the mouth. If held, it crumbles easily; if sliced, it splits apart. It can relieve vexation and bring joy to the heart—can you rise up and eat it?" Xuantongzi said: "A qilu horse, with the dragon's might and leaping like a bird, soars through the air—none can control it. Thus we have Wangliang managing the reins, guiding it with skillful instruction. It treads the path at an urgent pace, surging forward as if driven by the wind. No one dares to lead ahead; none can follow behind. It surpasses dust and leaves no shadow, suddenly vanishing like a flash of flight. The sun does not yet turn its light when it has already traveled far and returned—this is surely the swiftest horse under heaven. Can you rise up and ride it?" Xuantongzi said: "After three seasons have passed, in the final days of winter, when Xuanming [the god of winter] rules over all and the myriad plants wither. The king is at Lingyou Park, reviewing his troops and preparing for war. Thus they ride four qilu horses, mount a light carriage, wave banners, and sound eight 鸾 bells. They arrange many chariots in open marshes, scatter cavalry across flat plains, stretch nets to cover the fields, and surround mountains with traps. The formations encircle completely; like wind and clouds, they swirl together. Troops gather quickly into tight ranks, startling birds and beasts until they are exhausted. No servant has time to rise, no one can escape in time. Striking without waiting for weapons, bones break and flesh separates—teeth shatter, heads split open, their skins torn apart. Blood flows red across the fields; feathers and wings block out the sun. Then they descend from Lan Gao, approach flowing springs, observe open valleys, gaze at Mount Jing, pour fine wine, and carve fresh delicacies—this is the greatest pleasure in the world." Can you rise up to witness this spectacle? Xuantongzi said: "The halls are richly decorated, the chambers and houses splendid. Beams and rafters are carved with patterns, painted in red and green. A towering terrace rises a hundred ren high, offering a broad view; looking down, one sees clouds and mist. The eyes roam freely to take in everything. Gardens and marshes lie flat and wide, pools and ponds spread out. Birds and beasts gather together, fragrant grasses and flowering vines flourish. Thus the guests and friends are delighted, leisurely enjoying themselves nearby. Zhan Gong casts his bait deep into the water; Pu Cu releases red arrows to strike flying birds. The fishing line never returns empty, nor do the arrows fall in vain. Every hook catches something, every bowstring adds a second prize. Looking down, they capture those hidden deep; looking up, they exhaust even the lightest wings. As the day passes and fatigue sets in, they finally rest for a banquet, arranging cups of wine and sweet liquor. Beautiful attendants stand by—adorned with elegant patterns, trailing silk and gauze, adorned with pearls and 琚 jade. Their complexions are naturally fair; their eyebrows need no drawing, lips no rouge, hair no oil. They board dragon-shaped boats, float on the ornate pond, their curtains billowing as they gaze endlessly into the distance, reflecting their forms in the dark-flowing water. Drifting north and south through surging currents, it is like a goddess of the Han River wandering freely, laughing at the paired fish that leap together, rejoicing in birds playing in pairs—this too is joy unparalleled in the world." Can you rise up and join them on this outing? Xuantongzi said: "The Han dynasty's golden age was during the Yongping era. Harmony and peace prevailed, all affairs were orderly and clear. At that time, outstanding scholars gathered at Biyong Academy like clouds. They recited the teachings of sages, awakening both literary grace and moral substance. They understood the profound meanings of Xi Nong [the legendary cultural heroes], illuminated the classics of Yu and Xia dynasties, followed Confucius' principles, and emulated the lofty achievements of Yan Hui and Min Ziqian. They explored righteousness in depth, examining all categories thoroughly; nothing escaped their broad observation. Their brilliance and virtue were praised by the world." Gongzi suddenly rose up in alarm, saying: "How profound!" The ruler has attained the Way of sages; Heaven's foundation is indeed well established. The wise and discerning apply their thoughts, as it is what gentlemen always do. Now I realize my own indulgence, long obscured without awakening. Please allow me to recite these words and look up to your standards and principles."
|
| | 七: |
《後漢劉廣世七興》曰：子康子有疾，王先生往焉。曰：駿壯之馬，慉不征路，其荷衡也。曜似驚禽，其即行也。翬若遊鷹，飆駭風逝，電發波騰，影不及形，塵不暇興。 |
| | The "Seven Excitements by Liu Guangshi of the Later Han" says: "Zikangzi fell ill, and Master Wang went to visit him." He said: "A strong and swift horse refuses to travel the road; it bears the yoke and balance pole..." ...its brilliance like startled birds. When it moves forward..." …it flutters like a soaring hawk, startling the wind and vanishing in a gale. It surges forward with lightning speed, rising like waves—its shadow cannot keep up with its form; dust has no time to rise.
|
| | 七: |
《後漢崔駰七依》曰：客曰：乃導玄山之梁，不周之稻，礱以絺綌，砥以柔韋，洞庭之鮒，灌水之鰩，滋以陽撲之薑，蔌以壽木之華，鹺以大夏之壃，酢以越裳之梅，反宇垂阿，洞門金鋪，丹柱雕楹，飛閣曾樓，於是置酒乎讌遊之堂，張樂乎長娛之臺，酒酣樂中，美人進以承宴，調歡欣以解容，迴顧百萬，一笑千金，振飛縠以長舞袖，裊細腰以務抑揚，當此之時，孔子傾於阿谷，柳下忽而更婚，老聃遺其虛靜，楊雄失其太玄，此天下之逸豫，宴樂之至盤也。公子豈能興乎。客曰：彭蠡之鳥，萬萬而群，荊山之獸，億億而屯，雲合風散，隱隱震震，乃命長狄使驅獸，夷羿作虞人，騰句喙以追飛，騁韓盧以逐奔，弓彈交錯，把弧控弦，彎繁弱，鼓千鈞，死獸藉藉，聚如山，選取上鮮，獻之庖人。 |
| | The "Seven Reliances by Cui Yin of the Later Han" says: The guest said: "We shall bring the grain from Xuan Mountain and rice from Bu Zhou, grind it with fine cloth and polish it with soft leather. We prepare fish from Dongting Lake and carp from Guanshui River, season them with ginger from Yangpu, garnish with flowers from Shumu, salt with soil from Daya, and add vinegar made from plums of Yueshang. The hall has curved eaves and hanging tiles; the entrance is a golden-paved archway. Red pillars and carved beams support flying pavilions and multi-storied towers. Thus we set up wine in the banquet hall for leisurely feasting, and music plays on the long-pleasure terrace. When the wine flows freely and joy reaches its peak, beautiful women enter to serve at the feast, their expressions bright with happiness as they ease into gracefulness. A glance is worth a million; a smile costs a thousand gold pieces. They raise flowing silk robes in long sweeping dances, sway slender waists with graceful movements. At this moment, Confucius forgets his solitude on the hillside, Liu Xia suddenly changes his marriage, Lao Dan abandons his quiet detachment, and Yang Xion loses hold of his Taixuan teachings. This is indeed a time of carefree joy—the ultimate feast of pleasure in the world." Can you, Gongzi, rise to such heights? The guest said: "Birds from Penglai gather in flocks of ten thousand, and beasts on Mount Jing congregate by the hundred million. They assemble like clouds and scatter with the wind, their movements thunderous and vast. Then we command Changdi to drive out the animals and make Yiyi a game warden. We send swift-beaked birds to pursue flying creatures and unleash Hanlu dogs to chase down fleeing beasts. Bows and arrows cross in midair; archers draw their bows tightly. They bend the powerful Fanruo bow, drawing strength of a thousand jin. Dead animals lie piled upon one another like mountains. The finest game is selected and sent to the cook."
|
| | 七: |
《後漢李尤七款》曰：奇宮閑館，迴庭洞門，井幹廣望，重閣相因，夏屋渠渠，嵯峨合連，前臨都街，後據流川，梁王青黎，盧橘是生，白華綠葉，扶疏各榮，與時代序，孰不墮零，黃景炫炫，眩林曜封，金衣素裏，班白內充，副以芋柘，豐弘誕節，纖液玉津，旨於飲蜜。 |
| | The "Seven Invitations by Li You of the Later Han" says: "Strange palaces and quiet halls, with winding courtyards and arched gateways. The well-dry building offers a broad view; multi-storied pavilions connect one after another. Grand halls stand wide and open, their towering forms merging together. In front lies the capital's main street; behind flows a river. Prince Liang planted green lychees and luju trees here—white flowers with green leaves spread out in beauty, flourishing with each season until inevitably they fall. Golden light shines brightly, dazzling the forest and illuminating the walls. With golden outer layers and white interiors, their flesh is tender and white within. Accompanied by yu and zhe fruits, they grow abundantly and luxuriously, their delicate juice like jade, sweet as honey to drink."
|
| | 七: |
《後漢桓麟七說》曰：香萁為飯，雜以梗菰，散如細蚯，搏似凝膚，河黿之羹，齊以蘭梅，芳芬甘旨，未咽先滋，椅梧與梓，生乎曾崖，上仰貫天之山，下臨洞地之谿，飛霜厲其末，飆風激其崖，孤琴徑其根，雜鳥集其枝，王良柏其左，造父驂其右，揮沫揚鑣，焂忽長驅，輪不暇轉，足不及驟，騰虛踰浮，瞥若飆霧，追慌忽，逐無形，速疾影之超表，捷飛響之應聲，超絕壑，踰懸阜，馳猛禽，射勁鳥，騁不失蹤，滿不空發，彈輕翼於高冥，窮疾足於方外。 |
| | The "Seven Explanations by Huan Lin of the Later Han" says: "Fragrant beans are made into rice, mixed with reed shoots and water chestnuts. They scatter like fine earthworms or clump together like solid flesh. A turtle soup from the Yellow River is seasoned with orchid and plum—its fragrance and sweetness so rich that one feels nourished even before swallowing. Paulownia, wu trees, and zhi grow on high cliffs; above they reach up to pierce the sky, below they overlook deep ravines. Frost strikes their tips, fierce winds lash their slopes. A lone qin grows through their roots, while flocks of birds gather in their branches. To the left stands Wangliang holding a pine branch; to the right is Zaofu guiding the horse's flank. They flicker forward with whips and stirrups, suddenly galloping ahead—wheels have no time to turn, hooves do not pause for a moment. They leap through empty air, crossing floating bridges, vanishing like wind or mist. Chasing what is fleeting, pursuing what has no form, they surpass the speed of shadows and respond instantly to distant sounds. They cross deep chasms, leap over high hills, chase fierce birds, shoot powerful fowls—never missing a target, never shooting in vain. They strike light-winged creatures in the sky, exhausting swift-footed beasts beyond the horizon."
|
| | 七: |
《後漢崔琦七蠲》曰：寒門丘子有疾。玄野子謂之曰：藍沼清池，素波朱瀾，金鉤芳餌，纖繳華竿，緍沉魚浮，薦以香蘭，幽室洞房，絕檻垂軒，紫閣青臺，綺錯相連，結實布葉，與波邪傾，從風離合，澹淡交并，紫蔕黃葩，翳水吐榮，紅顏溢坐，美目盈堂，姿喻春華，橾越秋霜，從容微眄，流曜吐芳，巧笑在側，顧眄傾城。玄野子曰：爰有梧桐，產乎玄谿，傳根朽壤，託陰生危，激水澡其下，孤鳥集其枝，罔雙偶而特立，獨飄颻而單離，匠石摧肩，公輸折首，目眩肌戰，制以為琴，子野調操，鍾期聽音，子能聽之乎。 |
| | The "Seven Purifications by Cui Qi of the Later Han" says: "Qiuzi from a humble family fell ill." Xuanyezi said to him: "Blue marshes and clear pools, white waves with red ripples. Golden hooks dangle fragrant bait; fine lines hang from elegant poles. Fish sink and rise in the water, accompanied by the fragrance of orchids. In secluded chambers and arched halls, purple pavilions and green terraces are intricately connected. Fruit-bearing trees spread their leaves, leaning slightly with the waves, parting or joining with the wind's whims—gently merging together. Purple stems bear yellow flowers, shading the water as they bloom in glory. Beautiful faces fill the seats; bright eyes overflow the hall. Their beauty rivals spring blossoms and surpasses autumn frost. With graceful glances, their radiance emits fragrance. A charming smile at one's side turns a glance into a city's admiration." Xuanyezi said: "There is a camphor tree, born in the Xixi stream. Its roots grow from decaying soil; it takes shelter and grows on precarious ground. Rushing water washes beneath it, while solitary birds gather on its branches. It has no mate but stands alone, drifting apart by itself. The craftsman Jianshi breaks his shoulder over it, Gongshu tears out his hair in frustration—eyes dazzled, muscles trembling—they carve it into a zither. Ziyue tunes and plays it; Zhongqi listens to the music. Can you listen to it?"
|
| | 七: |
《後漢劉梁七舉》曰：丹楹縹壁，紫柱虹梁，桷榱朱綠，藻梲玄黃，鏤以金碧，雜以夜光，鴻臺百層，干雲參差，仰觀八極，遊目無涯，玉樹青蔥，鸞鶴並栖，隨珠明月，照曜其陂。 |
| | The "Seven Elevations by Liu Liang of the Later Han" says: "Red pillars and pink walls, purple columns with rainbow beams. Rafters and eaves painted in red, green, blue, and yellow; carved patterns gilded and adorned with night-glowing gems. A grand terrace rises a hundred layers high, piercing the clouds unevenly. Looking up, one gazes at all directions of the universe; eyes wander endlessly without bounds. Jade-like trees stand lush and green, with phoenixes and cranes nesting together. Pearls like the moonlight shine brightly on its banks."
|
| | 七: |
《後漢張衡七辯》曰：無為先生，祖述列仙，背世絕俗，唯誦道篇，形虛年衰，志猶不遷，於是七辯謀焉。曰：無為先生，淹在幽隅，藏聲隱景，滅跡窮居，抑其不韙，盍往辯諸，乃階而就之。虛然子曰：樂國之都，設為閑館，工輸制匠，譎詭煥爛，重屋百層，連閣周漫，應門鏘鏘，華闕雙建，彫蟲肜綠，●虹蜿蜒，於是彈比翼，落鸝黃，加雙鶤，經鴛鴦，然後擢雲舫，觀中流，搴芙蓉，集芳洲，縱文身，摶潛鱗，探水玉，拔瓊根，收明月之照曜，玩赤瑕之璘豳，此宮室之麗也。子盍歸而處之乎。雕華子曰：玄清白醴，蒲陶醲●，嘉肴雜醢，三臡七菹，荔支黃甘，寒梨乾榛，沙餳石蜜，遠國儲珍，於是乃有芻豢腯牲，麋麛豹胎，飛鳧棲鷩，養之以時，審其齊和，適其辛酸，芳以薑椒，拂以桂蘭，會稽之菰，冀野之梁，珍羞雜遝，灼爍芳香，此滋味之麗也。子盍歸而食之。安存子曰：淮南清歌，燕餘材舞，列乎前堂，遞奏代敘，結鄭衛之遺風，揚流哇而脈激，楚鼙鼓吹，竽籟應律，金石合奏，妖冶邀會，觀者交目，衣解忘帶，於是樂中日晚，移即昏庭，美人妖服，變曲為清，改賦新詞，轉歌流聲，此音樂之麗也。子盍歸而聽諸。闕丘子曰：西施之徒，姿容脩嫮，弱顏回植，妍夸閑暇，形似削成，腰如束素，淑性窈窕，秀色美豔，鬢髮玄髻，光可以鑒，靨輔巧笑，清眸流眄，皓齒朱脣，的皪粲練，於是紅華曼理，遺芳酷烈，侍夕先生，同茲宴●，假明蘭燈，指圖觀列，蟬綿宜愧，夭紹紆折，此女色之麗也。子盍歸而從之。空桐子曰：交阯緅絺，筒中之紵，京城阿縞，譬之蟬羽，製為時服，以適寒暑，駟秀騏之駮駿，載軨獵之輶車，建采虹之長旃，系雌霓而為旗，逸駭飆於青丘，超廣漢而永逝，此輿服之麗也。子盍歸而乘之。依衛子曰：若夫赤松王喬，羨門安期，噓吸沆瀣，飲醴茹芝，駕應龍，戴行雲，桴弱水，越炎氛，覽八極，度天垠，上游紫宮，下棲崐崙，此神仙之麗也。子盍行而求之。先生乃興而言曰：吁美哉。吾子之誨，穆如清風，啟乃嘉猷，寔慰我心，矯然仰首，邪睨玄圃，軒臂矯翼，將飛未舉。髣無子曰：在我聖皇，躬勞至思，參天兩地，匪怠厥司，率由舊章，遵彼前謀，正邪理謬，靡有所疑，旁窺八索，仰鏡三墳，講禮習樂，儀則彬彬，是以英人底材，不賞而勸，學而不厭，教而不倦，於是二八之儔，列乎帝庭，揆事施教，地平天成，然後建明堂而班辟雍，和邦國而悅遠人，化明如日，下應如神，漢雖舊邦，其政惟新。而先生乃翻然迴面曰：君子一言，於是觀智，先民有言，談何容易，予雖蒙蔽，不敏指趣，敬授教命，敢不是務。魏陳王曹植七啟曰：玄微子隱於大荒之庭，飛遯離俗，澄神定靈，輕祿傲貴，與物無營，於是鏡機子聞而將往說焉。駕超野之駟，乘追風之輿，入乎泱漭之野，遂屆玄微子之所居，其居也。左激水，右高岑，背洞壑，對芳林，志飄飄焉。嶢嶢焉。似若狹六合，隘九州，若將飛而未逝，舉翼而中留。於是鏡機子順風而稱曰：予聞君子不遁世以遺名，智士不背時而滅勳，今子棄道藝之華，遺仁義之英，譬猶畫形於無象，造響於無聲。鏡機子曰：芳菰精稗，霜蓄露葵，玄熊素膚，肥豢膿肌，蟬翼之割，剖纖析微，累如疊縠，離若散雪，輕隨風飛，刃不轉切，山鵽斥鷃，珠翠之珍，搴芳蓮之巢龜，鱠西海之飛鱗，臛江東之潛鼉，●漢南之鳴鶉，乃有春清縹酒，康狄所營，應化即變，感氣而成，於是盛以翠鐏，酌以雕觴，浮蟣鼎沸，酷烈馨香，可以和神，可以娛腸，此肴饌之妙也。子能從我而食之乎。鏡機子曰：步光之劍，采藻繁縟，飾以文犀，彫以翠綠，綴以驪龍之珠，錯以荊山之玉，陸斷犀象，未足稱俊，隨波截鴻，水不漸刃，佩則結綠懸黎，寶之妙微，符彩煥爛，流景揚暉，黼黻之服，羅縠之裳，金華之舄，動趾遺光，此容飾之妙也。子能從我而服之乎。鏡機子曰：駕雲龍之飛駟，飾玉露之繁纓，垂宛虹之長綏，抗招搖之華旌，於是曳文狐，掩狡兔，梢鷫鷞，拂振鷺，當軌見藉，值足遇踐，飛軒電逝，獸隨輪轉，騰山赴壑，風厲飆舉，形不抗手，骨不隱拳，野無毛類，林無羽群，積獸如陵，飛翮成雲，於是駭鍾鳴鼓，收旌弛旆，駿騄齊驤，揚鑾飛沬，俯倚金較，仰撫翠蓋，雍容暇預，娛志方外，此羽獵之妙也。子能隨我而觀之乎。鏡機子曰：彤軒紫柱，文榱華梁，綺井含葩，金墀玉箱，溫房則冬服絺綌，清室則中夏含霜，華閣緣雲，飛陛陵虛，俯視流星，仰觀八隅，升龍攀而不逮，眇天際而高居，素水盈沼，叢木成林，飛翮陵高，鱗甲隱深，乃使任子垂釣，魏氏發機，芳餌沉水，輕繳弋飛，落翳雲之翔鳥，援九淵之靈龜，然後採菱華，擢水蘋，弄珠蚌，戲鮫人，諷漢廣之所詠，覿游女於水濱，燿神景於中沚，被輕縠之纖羅，遺芳烈而靖步，抗皓手而清歌。歌曰：望雲際兮有好仇，天路長兮往無由，佩蘭蕙兮為誰脩，此宮觀之妙也。子能從我而居之乎。鏡機子曰：既遊觀中原，逍遙閑宮，情放志蕩，淫樂未終，亦將有才人妙妓，遺世超俗，揚北里之流聲，紹陽阿之妙曲，爾乃御文軒，臨彤庭，琴瑟交彈，左箎右笙，然後姣人，乃被文縠之華褂，振輕綺之飄颻，戴金搖之熠爍，揚翠羽之雙翹，翻爾鴻翥，濈然鳧沒，縱輕軀以迅赴，影追形而不逮，為歡未泄，白日西頹，樂散變飾，微步中閨，玄眉弛兮鉛華落，收亂髮兮拂蘭澤，紅顏既笑，睇盻流光，時與吾子，攜手同行，踐飛除，即閑房，華燭爛，羅幬張，動朱脣，發清商，九秋之夕，為歡未央，此聲色之妙也。子能從我而遊之乎。鏡機子曰：余聞君子樂奮節以顯義，列士甘危軀以成仁，重氣輕命，感分忘身，故田光伏劍於北燕，公叔畢命於西秦。辭未終而玄微子曰：善。鏡機子曰：此乃遊俠之徒耳，若夫田文無忌之疇，乃上古之俊公子也。皆飛仁揚義，騰躍道藝，遊心無方，抗志雲際，凌轢諸侯，驅馳當世，揮袂則九野生風，慷慨則氣成虹蜺，吾子當此之時，豈能從我而友之乎。鏡機子曰：時有聖宰，翼帝霸世，同量乾坤，等明日月，玄化參辰，與靈合契，越隆平於殷周，踵羲皇而齊泰，顯朝惟清，皇道遐均，民望如草，我澤如春，是以俊乂來仕，觀國之光，故甘露紛而晨降，景星宵而舒光，觀遊龍於神淵，聆鳴鳳於高岡，然主上猶以沉恩之未廣，懼聲教之未厲，採英奇於仄陋，宣皇明於巖穴，此甯子商歌之秋，而呂望所以投綸而逝也。於是玄微子攘袂而興曰：偉哉言乎。令予廓然，身輕若飛，願反初服，從子而歸。 |
| | The "Seven Debates by Zhang Heng of the Later Han" says: "Wuwei Xiansheng, following in the footsteps of immortals, turned his back on the world and cut himself off from 俗俗. He recited only Daoist scriptures. Though his body grew frail and years passed, his will did not waver. Thus arose the Seven Debates." They said: "Wuwei Xiansheng has long secluded himself in a remote corner, concealing his voice and hiding his form, erasing all traces of existence. He suppresses what is not admirable—why not go to debate with him? So they ascended the steps and approached him." Xuranyizi said: "The capital of Yueguo is adorned with quiet halls. Master Gongshu, the craftsman, designed them in strange and dazzling patterns. Multi-storied buildings rise a hundred layers high; connected pavilions stretch endlessly. The main gate resounds with clangs; twin ornate towers stand tall. Carved insects are painted red and green; rainbow-like decorations twist and turn. Then they play the paired-winged zither, pluck yellow orioles' songs, add double kung ji notes, weave through mandarin ducks. Afterward, they board a cloud-shaped boat to view the midstream waters, gather lotus blossoms on fragrant islets, release painted bodies into the water, grasp hidden fish, probe for jade in the depths, pull up precious roots of qiong. They collect moonlight's brilliance and admire red flaws in luminous stones—this is the beauty of palaces." Why don't you return to dwell among such splendor? Diahuaizi said: "Black and clear white liquor, thick grape wine. Fine dishes mixed with various pastes—three kinds of meat paste and seven types of pickled vegetables. Lychee, yellow fruit, cold pears, dried chestnuts, sand candy, stone honey—all treasures stored from distant lands. Then there are well-fed livestock: deer, antelope, leopard cubs; flying cranes and nesting phoenixes, raised at the right time. Their flavors are carefully balanced—spicy or sour as needed. Aromatic with ginger and pepper, seasoned with cinnamon and orchid. Gou from Kuaiji, millet from Jiye—delicacies abound in rich variety, glowing with fragrance—this is the beauty of flavor." Why don't you return and partake of it? Ancunzi said: "The clear songs of Huainan, the graceful dances from Yanyu are arranged in the front hall, played one after another. They preserve the lingering styles of Zheng and Wei dynasties, stirring emotions with flowing melodies. Drums beat like thunder, flutes and yu pipes harmonize to pitch. Metal and stone instruments play together; alluring performances gather spectators. Onlookers exchange glances, so entranced they forget their sashes. As music fills the day until evening, it moves into twilight halls. Beautiful women in charming attire change songs into pure melodies, compose new verses, and transform singing with flowing sounds—this is the beauty of music." Why don't you return to listen? Queqiuzi said: "Followers of Xi Shi, with graceful and refined beauty. Their delicate faces resemble Yan Hui's modest stance; their charm is composed and leisurely. Their figures are as slender as carved jade, waists like bound silk. They possess gentle and elegant dispositions, radiant in grace and color. Black hair twisted into dark knots shines like a mirror. A dimpled smile, clear eyes that glance with charm—white teeth and red lips, bright and dazzling. Thus, the red flowers spread their fragrance intensely; they serve Master Wushen at evening banquets. With lanterns lit by fragrant orchids, they point to maps and observe in order. Their beauty is like continuous cicadas, modest yet graceful, young and elegant—this is the beauty of feminine charm." Why don't you return and follow them? Kongtongzi said: "Jiaozhi's dark silk, bamboo-woven cloth; Jingcheng's fine gauze—like a cicada's wing. Made into seasonal garments to suit cold and heat. Four swift qiju horses pull the light hunting carriage. A long banner of rainbow colors is raised, with a female rainbow tied as a flag. They gallop like a sudden storm across Qingqiu, leap over vast rivers and vanish forever—this is the beauty of carriages and attire." Why don't you return to ride in it? Yiwei zi said: "As for Chi Song, Wang Qiao, Xianmen, and Anqi, they breathe in the mist of dawn and dusk, drink sweet nectar and eat lingzhi mushrooms. They ride the dragon Ying, wear clouds as caps, float on weak water, cross fiery mists, survey all eight directions, traverse the edge of Heaven. They travel upward to the Purple Palace and dwell below at Kunlun—this is the beauty of immortals." Why don't you go forth in search of it? The Master then rose and said: "Ah, how beautiful!" Your teachings, my son, are as gentle as a clear breeze. Your wise counsel truly comforts my heart. I raise my head proudly, glance sideways at the Xuanpu garden, stretch out my arms like wings—ready to fly but not yet taking flight. Fangwuzi said: "Under our holy emperor, he personally toils with profound thought, harmonizing Heaven and Earth. He never neglects his duties but follows established principles and previous plans. Righting wrongs and resolving doubts without hesitation, he examines the Eight Trigrams from all sides and reflects on the Three Classics above. He studies rites and music, setting an example of decorum and grace. Thus, outstanding people with talent are inspired to act without reward; they study endlessly and teach tirelessly. Therefore, groups of twenty-eight scholars stand in the imperial court, measuring affairs and applying instruction until the land is level and Heaven's will fulfilled. Then he establishes the Mingtang Hall and spreads the Biyong Academy, harmonizing the states and delighting distant peoples. His enlightenment shines like the sun; his governance responds as if by divine power. Though Han is an ancient state, its government is ever renewed." The Master then turned his face back and said: "A single word from a gentleman reveals wisdom. The ancients said, 'How easy it is to talk!' Though I may be ignorant and slow to grasp the meaning, I shall respectfully accept your teachings and dare not neglect this duty." Cao Zhi's "Seven Inspirations" of the Wei Prince Chenwang says: "Xuwei Zi secluded himself in the vast wilds, fleeing from worldly affairs. He purified his spirit and stabilized his soul, scorning wealth and noble status, caring nothing for material things. Thus, Jingji Zi heard of this and decided to go and persuade him." He harnessed the swift four-horse team, rode in a carriage that chased the wind, entered the vast and boundless wilderness, and finally arrived at Xuwei Zi's dwelling. His residence was... To his left flowed rushing water; to his right rose high hills. Behind him lay deep ravines, and before him stood fragrant groves. His spirit was light and carefree. It soared aloft with grace. It seemed as if the six directions were narrow and the nine provinces confined, like one about to fly yet not having departed, wings raised but lingering in midair. At this, Jingji Zi spoke with the wind: "I have heard that a gentleman does not withdraw from the world to leave behind his name, and a wise man does not oppose the times to erase his achievements. Now you abandon the brilliance of the Way and art, forsake the excellence of benevolence and righteousness—this is like drawing forms on formlessness or creating echoes without sound." Jingji Zi said: "Fragrant gous, refined 稗 rice, frost-preserved and dew-fed kui vegetables; black bears with white flesh, fatted livestock with tender meat. Slices as thin as cicada wings, cutting into the finest details—layered like pleated silk, scattered like snowflakes. Light enough to follow the wind in flight, yet the blade does not twist or cut forcefully. There are wild pheasants and tiny yàn birds; pearls and emeralds among treasures. We pluck the nests of lotus flowers where turtles dwell, slice up swift fish from the western sea, stew hidden soft-shelled turtles from eastern Jiang, and roast quails singing in southern Han. Then there is spring-clear pale wine, brewed by the Kangdi people, transforming with nature's rhythm, formed by the breath of heaven and earth. We pour it into jade cups carved with patterns, raise gilded goblets, stir up boiling water like a swarm of tiny shrimps, its fragrance intense and fragrant—capable of harmonizing spirits and delighting the heart. This is the marvel of these delicacies." Will you follow me to partake in this feast? Jingji Zi said: "The sword Bu Guang is adorned with intricate patterns, decorated with rhinoceros horn and carved in emerald green. It is strung with pearls from the black dragon and inlaid with jade from Jing Mountain. On land it can sever rhino and elephant; such feats are not enough to call it extraordinary. In water, it severs wild geese as they pass, without even wetting its blade. When worn, it gleams like green jade or red lapis lazuli—its beauty subtle yet wondrous. Its patterns shimmer with radiant color, casting light and brilliance. The embroidered robes, the fine silk skirts, the golden-splendor shoes—all move gracefully, leaving behind a trail of radiance. This is the marvel of adornment." Will you follow me and wear these? Jingji Zi said: "Drive a team of cloud-dragons, adorned with tassels glistening like jade dew. Hang long ribbons like the arc of a rainbow; raise splendid banners that shimmer in the wind. Then drag along the spotted fox and cover the sly hare, brush past the plum-feathered birds and ruffle the herons' wings. Wherever the chariot passes, beasts are trampled beneath its wheels. It flies as swiftly as lightning, with creatures following the turning wheel; it leaps over mountains into valleys, rising like a storm in the wind. No beast can resist or hide—every fur and feather is swept away. The fallen animals pile up like hills, their wings forming clouds above. At this moment, alarm bells ring out and drums sound; banners are retracted and flags lowered. Swift steeds gallop together, sounding horns and scattering foam as they fly. They lean low on golden yokes, reach upward to touch the emerald canopy, moving with grace and leisure, their spirits content in a world beyond worldly cares. This is the marvel of the grand hunt." Will you follow me and witness this spectacle? Jingji Zi said: "Red carriages and purple pillars, carved eaves and gilded beams; patterned wells blooming with flowers, golden steps and jade platforms. In the warm halls, summer garments are worn in winter; in the cool chambers, frost lingers even in midsummer. Colorful pavilions reach into the clouds, flying stairways ascend beyond the void. Looking down, one sees falling stars; gazing up, one beholds all eight directions. Even ascending dragons cannot grasp it—its height surpasses the horizon. Clear waters fill the ponds, dense trees form forests. Birds soar high above, scaled creatures hide in deep waters. Then we send Renzi to cast his line and Wei Shi to set his trap; fragrant bait sinks into the water, light arrows pierce the sky. We bring down birds that glide through clouds, pull up divine turtles from the nine depths. Afterward, we gather lotus blossoms, pluck water lilies, play with pearl-bearing clams, and frolic with mermaids. We recite verses from 'Hanguang,' meeting the wandering maiden by the riverside; we display our radiant presence in the central islet, dressed in fine silk gauze, walking gracefully while leaving behind a fragrant trail, raising white hands to sing pure songs." The song says: "Looking toward the horizon, I see a beloved friend; the path to Heaven is long and cannot be reached. Wearing orchid and hui, for whom do I adorn myself? This is the marvel of this palace." Will you follow me and dwell here with me? Jingji Zi said: "Having already traveled and viewed the Central Plains, we have wandered leisurely through the palace. Our hearts are free, our spirits unrestrained; indulgent pleasures have not yet ended. There will also be talented beauties and exquisite dancers who transcend the mundane world, carrying on the flowing melodies of Bei Li and continuing the graceful songs of Yang E. Then you ride in a gilded carriage, stand before the vermilion courtyard, where zithers and harps are played together, with xun flutes to your left and sheng mouth organs to your right. The fair beauties wear embroidered silk robes, their light silks fluttering gently; they wear golden ornaments that shimmer and hold up pairs of emerald feathers on their heads. They wheel like cranes in flight or vanish like ducks beneath the water's surface, moving swiftly with agile bodies—so fast that even their shadows cannot keep pace. Before our joy has fully unfolded, the sun sets in the west. The music ends; decorations change. With delicate steps, they retreat into inner chambers. Their dark eyebrows relax and makeup falls away; they gather disheveled hair and smooth it with fragrant oil. Their rosy faces smile, their eyes gleaming with light. At such a time, I walk hand in hand with you, treading the flying steps, entering the quiet chamber. The gilded candles glow bright, the embroidered curtains spread wide. Red lips move to sing clear melodies. On this autumn evening, our joy is endless—this is the marvel of music and beauty." Will you follow me on this journey? Jingji Zi said: "I have heard that gentlemen take joy in upholding their principles to demonstrate righteousness, and valiant men willingly risk their lives to achieve benevolence. They value honor over life itself, moved by duty to forget self. Thus, Tian Fu concealed a sword in the north of Yan, and Gong Shu gave his life in western Qin." Before the words were finished, Xuwei Zi said: "Good." Jingji Zi said: "These are merely wandering knights. As for the likes of Tian Wen and Wu Ji, they were truly outstanding young nobles from ancient times." They all spread benevolence and uphold righteousness, excel in the Way and arts, roam freely without bounds, and set their aspirations among the clouds. They surpass feudal lords and gallop through their age; a single sweep of their sleeves stirs winds across the nine provinces, while their passionate spirit forms rainbows in the sky. At such times, could you follow me to befriend them? Jingji Zi said: "There was a time when a sage prime minister assisted the emperor in dominating the age, measuring Heaven and Earth equally, matching the sun and moon in brilliance. His profound transformation aligned with the stars, harmonizing with divine will. He surpassed the peace of Yin and Zhou dynasties, following Fuxi to rival Tai. The court was clear, the imperial way extended far and wide; people looked up like grass, and his grace spread like spring. Thus, virtuous men came to serve, admiring the glory of the state. Hence, sweet dew fell in abundance at dawn, and auspicious stars shone brightly through the night. One could see dragons swimming in divine depths or hear phoenixes singing on high hills. Yet still, the Son of Heaven feared that his grace had not yet reached all, and worried that his teachings were not sufficiently strong. He sought outstanding talents from obscure corners, spreading imperial wisdom even to remote caves—this was the season when Ningzi sang songs of longing, and why Lü Wang cast aside his fishing rod and departed." At this, Xuwei Zi rolled up his sleeves and rose, saying: "How magnificent are these words!" They have opened my mind; I feel as if my body is light enough to fly. I wish to return to my original attire and follow you back with you.
|
| | 七: |
《魏徐幹七喻》曰：有逸俗先生者，耦耕乎巖石之下，栖遲乎穹谷之岫，萬物不干其志，王公不易其好，寂然不動，莫之能懼。賓曰：大宛之犧，三江之魚，雲鶬水鵠，禽蹯豹胎，黼幬施於宴室，華蓐布乎象床，懸明珠於長韜，燭宵夜而為陽，玄鬢擬於雲霧，豔色過乎芙蓉，揚蛾眉而微睇，雖毛施其不當。 |
| | The "Seven Analogies" by Xu Gan of the Wei dynasty says: There was a gentleman named Yisu, who tilled in pairs beneath the rocks and lingered leisurely among the peaks of vast valleys. No worldly matters could disturb his will; no kings or dukes could change his preferences. He remained silent and unmoved, beyond fear from any force. The guest said: "Fine steeds from Dayuan, fish from the Three Rivers, cloud-colored pheasants and water swans, bear's paw and leopard fetus—embroidered curtains hang in the banquet hall, embroidered mats spread on elephant beds. Pearl necklaces are strung along long tassels; candles burn through the night as if bringing daylight. Black eyebrows resemble clouds and mist; their beauty surpasses lotus blossoms. They raise delicate brows and glance slightly downward—even Mao Shi would find it hard to match."
|
| | 七: |
《魏王粲七釋》曰：潛虛丈人，違世遁俗，恬淡清玄，渾沌淳樸，薄禮愚學，無為無欲，均同死生，混齊榮辱。於是大夫聞而歎曰：蓋聞君子不以志易道，不以身後時，進德脩業，與世同理，今子深藏其身，高栖其志，外無所營，內無所事，邯鄲才女，三齊巧士，名唱祕舞，承閑並理，七盤陳於廣庭，疇人儼其齊俟，翩飄微霍，亂精蕩神，巴渝代起，鞞鐸響振，農功既登，玄陰戒寒，及致眾庶，大獵中原，植旌柎表，班授行曲，絚網連罝，彌山跨谷，弦不虛控，矢不徒往，僵禽連積，隕鳥若雨，麗才美色，希世特立，豐膚曼肌，弱骨纖形，鬒髮玄鬢，脩項秀頸，紅顏照曜，曄若苕榮，戴明中之羽雀，雜華鑷之葳蕤，珥照夜之雙璫，煥焴爚以垂暉，聖人在位，時邁其德，先天弗違，稽若古則，叡哲文明，允恭玄塞，登俊乂於壟畝，舉賢才於仄微，置彼周行，列于邦畿，九德咸事，百僚師師，於是四海之內，咸變時雍，普天率土，比屋可封，是以棲林隱谷之夫，逸跡放言之士，鑒乎有道，貧賤是恥。 |
| | The "Seven Explanations" by Wang Can of the Wei dynasty says: The Hidden Sage, avoiding the world and fleeing 俗 affairs, is tranquil, detached, and pure. He remains in a state of primordial simplicity, undisturbed by learning or ritual, practicing non-action and free from desire, regarding life and death as one, and treating honor and disgrace equally. At this, the official heard and sighed: "I have always believed that a gentleman does not change his principles for ambition, nor place himself behind the times. He cultivates virtue and refines learning, aligning with the world's order. Now you hide yourself deeply, elevate your aspirations high, seeking nothing externally and engaging in no affairs internally. The talented women of Handan, the skilled men of San Qi—renowned songs and secret dances are performed at leisure, arranged together. Seven plates are displayed in the grand hall; the guests stand solemnly waiting. Graceful movements stir the spirit, dazzling the senses. Dances from Ba and Yu alternate, drums and bells resound. After harvests have been gathered, dark clouds warn of cold weather. Then the people gather for a great hunt in the Central Plains. Standards are planted as markers; formations are assigned with music. Nets stretch across mountains and valleys. Bows do not fire in vain, arrows never fly without purpose. Fallen game piles up like rain from the sky. Beautiful talents and graceful beauties stand out among their generation—full-figured yet supple, delicate bones and slender forms. Black hair and dark eyebrows, long necks and elegant throats; rosy faces shine brightly, as radiant as blooming orchids. They wear feathered ornaments of light, adorned with flowers in profusion, earrings that glow at night, casting brilliant light. When the sage is on the throne, virtue spreads through time, aligning with Heaven's will and following ancient principles. Wise and enlightened, he is reverent and respectful to the mysteries of the Dao. He raises virtuous men from the fields, elevates talented individuals from obscurity, placing them in official ranks and arranging them throughout the realm. All nine virtues are fulfilled; all officials serve diligently. Thus, within the four seas, harmony prevails; across the land, every household is worthy of honor. Therefore, those who dwell in forests or hide in valleys, and those who wander freely with bold words—when they see the Dao realized, poverty and low status become a shame."
|
| | 七: |
《魏劉邵七華》曰：玄休先生，棄世遁名，藏身於虛廓，絕影於無形，榮時子聞而往焉。曰：僕聞至人之生世也。必承天地之時勢，統萬物之紘綱，生有九鼎之秩，沒有祀典之常，僕將為先生陳天下之遠圖，論品物之弘式，規人事之榮華，傳情志之所極。榮時子曰：追風之馬，出自遐裔，狀若逸虯，莫能羈制，踐路躡節，迅驅機發，後不可及，前不可越，尋越逸響，追晷逐□。榮時子曰：三時既畢，玄冬效節，木落草弊，鳥竄獸穴，爾乃駕六虯，乘雕軒，載金鉦，鳴玉鑾，鼓與雷起，野火電延，聲與天屬，熛與霓連。榮時子曰：洞庭之鱄，出于江崏，紅腴青鱸，朱尾碧鱗，金光鏡野，旌旗曜天，雷輜翳路，風馬如雲，於是三辰增曜，大明重光，醴泉波流，芝圃揚芳，毛群率舞，羽族迴翔，聆九韶之聲變，儀矩步之蹌蹌，感神人而懷異物，寧九有而綏八荒。 |
| | The "Seven Flowers" by Liu Shao of the Wei dynasty says: Xuanxiu Master, abandoning the world and evading fame, concealed himself in emptiness, vanishing without a trace. Rongshi Zi heard this and went to visit him. He said: "I have heard that the life of an enlightened person in the world..." must follow the timing and momentum of Heaven and Earth, governing the great principles that bind all things. In life, he holds a rank as weighty as the Nine Tripods; in death, his rites are honored by official records. I shall now present to you, Master, the grand vision for the world, discuss the broad patterns of all beings, outline the glories and splendor of human affairs, and convey the utmost depth of emotion and aspiration. Rongshi Zi said: "The swift Wind-Chasing horse comes from distant lands, its form like a fleeing dragon, no one can restrain it. It treads the path with measured steps, dashing forward as if triggered by a mechanism—unreachable in front and uncatchable behind. Its echoes vanish into the distance; it races against time itself." Rongshi Zi said: "After the three seasons have passed, the dark winter displays its power. Leaves fall from trees and grass withers; birds flee into hiding and beasts retreat to their dens. Then you drive six dragons, ride in an ornate carriage, carry a golden bell, sound jade chimes. Drums rise like thunder, wild fires spread as if lightning strikes—its sound reaches the heavens, its brilliance connects with rainbows." Rongshi Zi said: "The fish of Dongting emerge from the river cliffs—red-fleshed, green-perch, red-tailed and emerald-scaled. Their golden light mirrors the fields; their banners shine in the sky. Thunder-chariots block the road; wind-horses gather like clouds. At this time, the three stars grow brighter, the great light shines anew. Sweet springs ripple, ginseng gardens spread fragrance. Furry creatures dance together, feathered flocks wheel above. One hears the changing melodies of Jiushao, observes the measured steps in ritual patterns. Moved by divine beings and touched by rare creatures, peace extends to all nine regions and stability reaches the eight directions."
|
| | 七: |
《晉張協七命》曰：沖漠公子，含華隱曜，嘉遁龍盤，越世高蹈，絕景乎大荒之遐阻，答響乎幽山之窮奧，於是殉華大夫，聞而造焉。乃整雲輅，參飛黃，越奔沙，輾流霜，天清冷而無霞，野曠朗而無塵，臨重岫而攬轡，顧石室而迴輪，於是登絕巘，溯長風，陳辯惑之辭，命公子於巖中。大夫曰：寒山之桐，出自大冥，含黃鐘以吐幹，據蒼岑而孤生，晞三春之溢露，溯九秋之鳴飆，零雪瀉其根，霏霜封其條，木既繁而後綠，草未素而先凋，營匠斲其樸，伶倫均其聲，若乃龍火西頹，暄風初收，飛霜迎節，高風送秋，羈旅懷土之徒，流宕百罹之儔，撫促柱則酸鼻，揮危絃則涕流。大夫曰：應門八襲，琁臺九重，表以百常之闕，圖以萬雉之墉，嶢樹迎風，秀出中天，翠觀青岑，雕閣霞連，長翼臨雲，飛陛陵山，望玉繩而結極，承倒景而開軒，重殿疊起，交綺對幌，幽堂晝密，明室夜朗，焦螟飛而生風，尺蠖動而成響。大夫曰：若乃白商素節，時既授衣，天凝地閉，風厲霜飛，柔條夕勁，密葉晨稀，將因氣以效殺，臨金郊而講師，內無疏蹊，外無漏跡，叩鉦數校，舉麾贊獲。大夫曰：范公之鱗，出自九溪，赬尾丹腮，紫翼青髯，爾乃命支離，飛霜鍔，紅肌綺散，素膚雪落，婁子之豪，不能廁其細，秋蟬之翼，不足擬其薄。大夫曰：楚之陽劍，區冶所營，耶溪之鋌，赤山之精，銷踰羊頭，鍱越鍛成，流綺星連，浮彩豔發，光如散電，質如濯雪，指鄭則三軍白首，麾晉則千里流血，形震薛燭，光駭風湖，或馳名傾秦，或夜飛去吳。大夫曰：乃有荊南烏程，豫北竹葉，浮蟣星沸，飛華萍接，玄石嘗其味，儀氏進其法，傾罍一朝，可以流湎千日，單醪投川，可使三軍告捷，斯又神人之所歆羨，觀聽之所煒曄。 |
| | The "Seven Commands" by Zhang Xie of the Jin dynasty says: Chongmo Gongzi, containing brilliance yet concealing his radiance, retreated in noble seclusion like a dragon coiled. He transcended the world with lofty steps, vanishing into distant wilderness and echoing deep within hidden mountains. Thus, Junhua Dafu heard of him and went to visit. He then arranged his cloud-drawn carriage, rode past the flying yellow steed, crossed the galloping sands, and rolled over drifting frost. The sky was clear and cold without clouds; the fields vast and bright without dust. He reined in at towering peaks, turned back from stone chambers to wheel around. Thus he climbed sheer cliffs, faced the long wind, delivered words of clarification, and summoned Master Chongmo within the mountain. The official said: "The cold mountain's paulownia, born from the great void, contains the Yellow Bell pitch in its trunk and grows alone on emerald hills. It drinks spring dews and faces autumn gales; snow falls upon its roots, frost seals its branches. Leaves grow dense before turning green, grass withers before it turns white. Craftsmen carve its rough form, Ling Lun tunes its sound. When the dragon fire of summer sets in the west and warm winds begin to retreat, when flying frost greets the season and high winds send autumn away—travelers longing for home, wanderers burdened by sorrow, touch a short zither string and weep bitterly; pluck a taut string and tears flow." The official said: "Eight layers of gates, nine levels of the 璇 Tai. Marked by hundred-rod towers and ten-thousand-brick walls. Tall trees greet the wind, rising above the sky; emerald pavilions and green hills, carved halls connect with clouds. Long wings reach into the heavens, flying steps ascend over mountains. Looking toward jade ropes to mark the horizon, supporting inverted shadows to open windows. Grand halls rise in layers, interwoven silks hang opposite each other. Quiet chambers remain dark by day; bright rooms shine at night. Tiny moths fly and create wind; inch-long caterpillars move and make sound." The official said: "When the white autumn and pure season arrive, when it is time to wear winter clothes—Heaven becomes firm, Earth shuts itself off; winds rise and frost flies. Tender branches grow rigid at dusk, dense leaves thin by morning. Then, following the climate's signal for killing, we gather in the golden fields to review our troops. Internally, there are no scattered paths; externally, no trace is left behind. Bells ring as formations align, banners raise to announce victory." The official said: "Fan Gong's scales, born from the Nine Streams, have crimson tails and red cheeks, purple wings and green beards. Then you command Zili to fly with frost-edged blades; their rosy flesh scatters like brocade, white skin falls like snow. Even Louzi's fine hair cannot match its delicacy; even autumn cicadas' wings are too thick in comparison." The official said: "The Yang sword of Chu, crafted by Quye. The iron from Yexi Stream and the essence of Chishan Mountain—refined beyond Yangtou, forged through countless hammerings. Its patterns flow like stars connected in a line; its colors shimmer with dazzling brilliance. Its light is as scattered lightning, its quality as pure snow freshly washed. When raised over Zheng, entire armies turn white with fear; when waved at Jin, blood flows for a thousand miles. Its form startles Xuezhu, its radiance alarms the winds of Lake Feng. Some swords gain fame and shake Qin; others fly away in secret to Wu by night." The official said: "There is also the He Cheng of Jingnan and Zhu Ye from Yubei. Bubbles rise like floating shrimp, petals drift together like water lilies. Black stones have tasted its flavor; Yi Shi has passed down its method. A single jar poured in a morning can lead to drunkenness for a thousand days. A drop of wine cast into the river could bring victory to an entire army. This is what even divine beings envy and what all who witness it admire with awe."
|
| | 七: |
《晉陸機七徵》曰：玄虛子耽性沖素，雍容玄泊，棄時俗而弗徇，甘魚釣於一壑，乃有通微大夫，怨皇居之失寶，傷鴻誓之後聞，榮玄黃於榛險，憑穴巖而放言。通微大夫曰：奇膳玉食，窮滋致豐，簡犧羽族，考生毛宗，俯出沉鮪，仰落歸鴻，剖柔胎於孕豹，宰潛肝乎豢龍，拾朝陽之遺卵，納丹穴之飛凰，神宰奇稌，嘉禾之穗，含滋發馨，素穎玉銳，灼若皓雪之頹玄雲，皎若明珠之積緇匱，素蟣踊而瀺灂，滋芬溢而相徽，味雖濃而弗爽，氣既惠而復，介景福於眉壽，裕溫克乎齊聖，子能饗之乎。通微大夫曰：豐屋華殿，奇構磊落，高宇雲覆，千楹林錯，仰綏瑰木，俯積瓀石，敷延袤之廣廡，矯陵霄之高閣，秀清暉乎雲表，騰藻蔭之弈弈，珍觀清榭，岳立連行，雲階飛陛，仰陟穹蒼，聳浮柱而虯立，施飛檐以龍翔，回房旋室，綴琳襲玉，圖畫神仙，延祐承福，懸闥高達，長廊迴屬，於是登漸臺，理俊音，鏡玄沚，望長林，逐狡獸，弋輕禽，覽壯藝以悅觀，聆和樂而怡心，子能居之乎。通微大夫曰：金石諧而齊響，塤篪協而和鳴，於是才人進羽籥，玄弁被藻襲，俯縈領以鴻歸，仰矯首而鶴立，激長歌於丹脣，發鏗鏘乎柔木，合清商以絕節，揮流徵而赴曲，奏南荊之高歎，詠易水之清角，爾乃睹蛾眉之群麗，羌既都而又閑，矯纖腰以逐節，頓皓足於鼓盤，舒妍暉以妖韶，若陵危之未安。通微大夫曰：蓋聞沬北有采唐之思，淇上有送子之勤，關雎以寤寐為慼，溱洧以謔浪為歡，若夫妖嬪豔女，蒐群擢俊，穆藻儀於令表，茂當年之柔嫚，罄妍規之約綽，體每變而增閑，秀紅蕤其愉愉，若餘穎之可餐，若夫靈晷潛，祖顏退，羽觴升，清琴厲，因清明以宣誠，流微睇而授愛，纖手揮而鳴佩鏗，華衿被則芳塵萃，子其納之乎。通微大夫曰：塗有殊而一致，業有殊而名約，各因姿以效績，期寄響於天人也。孰與顯奇蹤於萬邦，撫六轡而高遊，瞰八宇以攄眄，濟清風乎諸侯，言成否泰，氣作溫涼，弭侵略於彊暴，綜墜紀乎危邦，子豈不願斯之雍容乎。通微大夫曰：明主應期，撫民以德，配仁風於黃唐，齊威靈乎宸極，彝倫幸序，庶績咸乂，盪流風於雍俗，給天民乎齊泰，是以玄靈感而表應，嘉神繁而畢覿，舞唐庭之來儀，鳴岐陽之鸑鷟，膺天監之休命，荷神聽之介福，然聖主達持盈之寶術，寤經國之在賢，各畢榮於分局，期贊化於大鈞，吾子豈不欲縻好爵於天宇，顯列業乎帝臣歟。玄虛子作而曰：甚哉。鄙人之惑也。猶窮繩自逸於井幹，憑河盜本於黃川，欽至論，敷蔽衽，謹聞命於王孫。晉湛方生七歡曰：有巖棲先生者，學道養生，離親絕俗，漱清泉，蔭茂木，慕赤松之清塵，乃餐霞而絕穀，朝隱大夫，尋條援葛。往而問之曰：營中都以起館，指土圭以正宮，宅既平而土沃，寔商旅之所通，究精巧之妙思，盡土木之所窮，南軒高館，北連脩堂，左亙東序，右列西廂，飛甍雲構，軒軒鏘鏘，連棟抗榱，若飛若翔，幽籠納響，素壁流光，乃有傾城之色，玉質鳳章，手習清弄，心達宮商，子能從我而翫之乎。大夫曰：歲季月除，大蜡始節，繁霜朝氛，淒風夕發，策龍駟以偕逝，問虞人於中林，審蹊徑之所由，之此澤之多禽，前批猛獸，後拉黃羆，聲不得發，爪不暇施，此遊獵之壯觀，子能從我而觀之乎。大夫曰：青陽開運，和氣流人，天無纖翳，地無飛塵，五湖靜波，四瀆凝津，命向方之嘉友，聊汎舟以遊春，此舟艥之駿遊，子能從我而乘之乎。大夫曰：有嶧山之孤桐，生千仞之峻嶠，乘危巖以託根，閒丹霞而竦標，苦嚴霜之淒切，困寒風之蕭條，若乃清秋遙夜，器朗絃徹，閑心理氣，臨流鏡月，伯牙揮爪以清弄，鍾期中曲而撫節，子能從我而聽之乎。大夫曰：良疇沃壤，傍山之阿，靈澤津其根，春露染其禾，上蔭玄雲輕靄，下流石泉清波，含山澤之清潤，結玉實於秋霜，簡嘉穗以精微，璀冰散而珠光，釀縹醪於九秋，蘊二日於三陽，米望麴而冰消，甕未啟而流芳，此五穀之精液，子能從我而嘗之乎。大夫曰：生乎三季之世，隔乎大國之閒，戎馬生於郊畿，英雄森以比肩，意氣冠宇宙，豪勢扼丘山，強虜元師，懸首大白，勳勒王府，功刊金石，此不世之奇功，子能從我而立之乎。大夫曰：蓋聞至道以無主員應，橐籥以內虛無窮，陰陽以煙熅咸化，五行之守分相攻，是以撫往運而長揖，因歸風而迴軒，挂長纓於朱闕，反素褐於丘園，靡閑風於林下，鏡洋流之清瀾，仰濁酒以箕踞，閒絲竹而晤言。 |
| | The "Seven Summonings" by Lu Ji of the Jin dynasty says: Xuanxu Zi, devoted to a pure and tranquil nature, was composed and detached. He abandoned worldly affairs without seeking them, content with fishing in one secluded valley. Then came Tongwei Dafu, who lamented that the imperial court had lost its treasures and mourned the broken oaths of great men. Honoring the black and yellow virtues amidst thorns and dangers, he took refuge in caves and rocks to speak freely. Tongwei Dafu said: "Rare delicacies and jade-like food, exhausting all flavors to achieve abundance. Selecting from sacrificial birds and feathered creatures, examining the finest furs and feathers. One reaches down to pull up deep-sea tuna, looks upward as wild geese fall. They cut open tender cubs of pregnant leopards, slaughter hidden livers of tamed dragons. They gather sun-warmed eggs left behind, welcome crimson-cave phoenixes in flight. Divine cooks prepare rare rice; fine grains and fragrant ears grow from blessed plants. Their aroma spreads like white sprouts sharpened to jade points—bright as snow falling through dark clouds, clear as pearls piling up in black chests. Tiny shrimp leap and splash, their fragrance blending together. Though the flavor is rich, it does not overwhelm; though the essence is sweet, it returns with balance. It brings blessings of longevity, enriches warmth and virtue like sages—can you partake in this?" Tongwei Dafu said: "Grand halls and ornate palaces, their structures marvelously arranged. High eaves reach into the clouds; a thousand pillars stand like trees in a forest. Above hang rare woods; below accumulate precious stones. Expansive wings stretch wide, lofty towers pierce through the sky. Their brilliance shines above the clouds, their carved shadows dance beneath. Exquisite pavilions and clear terraces rise like mountains in rows. Cloud-steps ascend to flying stairs, leading upward into the vast blue heavens. Pillars stand tall like coiled dragons; eaves extend as if dragons take flight. Curved rooms and spiral chambers are adorned with jade and lapis. Paintings of immortals line the walls, bestowing blessings from above. High gates reach skyward, long corridors wind together. Then one ascends the Gradual Terrace, plays refined music, gazes at the dark pool, looks out over distant woods, chases cunning beasts, shoots light birds—observing grand arts for joy, listening to harmonious music for peace. Can you dwell here?" Tongwei Dafu said: "Metal and stone harmonize in unison; xun and chi instruments sing together. Then talented performers present their flutes and yue, wearing dark caps adorned with embroidered robes. They bend gracefully like returning cranes, raise their heads as if standing hawks. A long song rises from red lips, a resounding melody echoes through soft woods. Clear shang tones blend in perfect rhythm; flowing zhi notes follow the tune. They play the lofty sighs of Nanjing and sing the clear jiao of Yishui. At this moment you see the beauty of many eyebrows—Qiang women both elegant and at ease, their slender waists swaying to the beat, white feet tapping on drums, faces glowing with charm as if standing on a precarious height." Tongwei Dafu said: "I have heard of the sorrowful thoughts in Caotang to the north of Mei, and the earnest farewells on the banks of Qi. Guanju laments waking and sleeping with worry; Qin Wei finds joy in playful flirtation. As for charming concubines and beautiful women, they gather in groups, selecting the finest among them—graceful in appearance, elegant in demeanor, their youth and gracefulness at its peak. Their beauty is refined yet graceful, changing subtly to enhance elegance. Their red blossoms bloom with joy, as if fragrant sprouts could be eaten. When divine light fades and ancestral faces recede, feathered cups rise and clear zithers play. They express sincerity through clarity, convey affection with subtle glances. Delicate hands move, jingling pendants chime; embroidered robes spread fragrance like dust. Will you accept this?" Tongwei Dafu said: "Though paths may differ, they lead to the same goal; though achievements vary, their names are concise. Each follows its nature to accomplish its task, hoping to echo between Heaven and humanity." Who could compare to one who displays extraordinary achievements among all nations, holding the six reins and soaring high? Looking down from eight directions with a glance, guiding the clear winds through feudal lords. Words bring fortune or misfortune; spirit brings warmth or coldness. They quell aggression by tyrants and restore order in endangered states—would you not wish for such grace and dignity?" Tongwei Dafu said: "A wise ruler, in harmony with the appointed time, governs people through virtue. He matches benevolent winds of Huangtang and unites divine power with imperial authority. Proper order is restored; all achievements are harmonized. He purifies customs by sweeping away corrupt trends, providing peace to his subjects under a balanced world. Thus, dark spirits respond in awe, auspicious deities gather fully—dances of Tang's court arrive in harmony, the mythical bird Yuezhuo sings from Qi Yang. He receives Heaven's blessing and carries divine favor. Yet the sage ruler understands the secret of maintaining prosperity, realizing that governing a nation depends on virtuous men. Each finds honor within their posts, contributing to the great balance of creation. Could you not wish to hold an honored title in the heavens, to stand among the emperor's ministers with distinguished achievements?" Xuanxu Zi rose and said: "How profound!" It is the confusion of a humble man. Like a worm clinging to the edge of a well, or a thief grasping at roots in the Yellow River—I admire your profound words and spread my robe wide. I humbly accept your instruction, Master Wangsun. The "Seven Joys" by Zhan Fangsheng of the Jin dynasty says: There was a gentleman named Yanqi, who studied the Dao and cultivated longevity. He left his family behind and cut himself off from 俗 affairs, washing in clear springs and shading under tall trees. Admiring the pure dust of Chi Song, he ate clouds and forsook grain. Chao Yin Dafu searched through vines and grasped at ivy to find him. He went to ask him: "The central hall is built with precision, the earth measured by guis to align the palace. The site is level and fertile—truly a place where merchants pass through. It embodies the most refined thoughts, exhausting all possibilities of wood and stone. Southern pavilions rise high; northern halls stretch long. To the east extend grand sequences; to the west stand western wings. Flying eaves reach into clouds, rising with resounding grace. Connecting beams support wide rafters—like flying or soaring birds. Quiet rooms echo with sound; white walls glow with light. There is a beauty who can charm an entire city, jade-like in form and phoenix-like in pattern. Her hands play pure melodies; her heart understands pitch and tone. Will you follow me to enjoy this?" The official said: "When the final month of the year arrives, and the great winter festival begins—dense frost fills morning mists; cold winds rise at dusk. We drive dragon-drawn carriages together, ask the forest keeper in the middle woods to guide us, examine paths and trails, heading toward this marsh rich with game. In front we strike fierce beasts, behind we pull down yellow bears. Their cries cannot escape, their claws have no time to act—this is a grand spectacle of hunting. Will you follow me and witness it?" The official said: "Green Yang opens the season, harmonious air flows through people. The sky is clear of even the faintest cloud; the earth holds no flying dust. Five lakes remain still, four rivers gather calm waters. I summon my dear friends from the east and leisurely launch a boat for springtime travel. This swift journey on water—will you follow me aboard?" 𝑙 The official said: "There is a solitary paulownia on Yishan Mountain, growing atop a thousand-foot precipice. It takes root upon dangerous rocks and rises proudly amidst crimson clouds. Though it suffers bitter frost and withering cold winds, when the clear autumn stretches into distant nights, its instrument shines and strings ring pure. In quiet moments, one calms the spirit; by flowing waters, the moon reflects like a mirror. Boya plucks his zither in clarity, Zhongqi strikes the rhythm at the heart of the melody—will you follow me to listen?" The official said: "Fertile fields and rich soil lie beside the mountain's curve. Divine waters nourish their roots; spring dew colors their grain. Above, they are shaded by dark clouds and light mist; below, clear waves flow from stone springs. They absorb the purity of mountains and marshes, bearing jade-like fruits in autumn frost. Carefully selected ears of grain, refined to perfection—crystal ice shatters into pearl-like brilliance. Brewed as pale wine through nine autumns, it gathers two days' warmth within three yangs. Rice awaits qu as ice melts; the jar is not yet opened but fragrance flows already. This essence of five grains—will you follow me and taste it?" The official said: "Born in the age of three seasons, separated by great states. War horses rise from the suburbs; heroes stand shoulder to shoulder. Their spirit and might crown the universe, their power grips hills and mountains. They defeat mighty enemies, hang enemy chieftains' heads on white poles, carve merit into royal halls, etch achievements in gold and stone—this is an unparalleled feat of extraordinary achievement. Will you follow me in accomplishing such a deed?" The official said: "I have heard that the ultimate Dao, without master or boundary, responds endlessly. The pouch and bellows, empty within, hold infinite potential. Yin and Yang, in their smoky glow, transform all things; the Five Elements, each guarding its domain, clash yet balance. Thus one bows deeply to the past's course, turns back with the returning wind, hangs a long ribbon at the vermilion gate, returns to plain robes in mountain gardens, finds no leisure beneath forest breezes, reflects on clear waves of distant rivers, raises muddy wine while sitting carelessly, and speaks freely without music or zither."
|
| | 七: |
《宋顏延之七繹》曰：北岳孤生，滅跡埋聲，名歇事盡，道畜山扃，東國進士，謬與遇焉。其居也。依隱嵁陰，結架清深，巖屋橋構，澄道相臨，寒榮隴首，繑飲江潯。客曰：周以巖廊，匝以綵房，木寫雲氣，土祕群芳，既旋天而倒井，又斲員而鏤方，松上箭渚，藥苑香林，梁澗道以高濟，棧巖墱而上尋。客曰：若夫丹山之奧，金門而祕，地首岷銅，川上汶泗，裁石成音，調金為器，故列真玩其微鳴，辭人賦其清懿，若乃梓漆簡聲，麗容呈才，陳舞態，開吹臺，獵悲風，溯秋埃，既而昵賓獻壽，中人奉膳，有悄者顏，弗怡高殿，視華鼓之繁桴，聽邊笳之嘶囀，飛朱鷺以首引，逮玄雲而終變，然後簪珥搖暉，莊服流湎，抗妍歌以跕躧，揚輕袖而翳面，雜紛披於巾拂，遞閒關乎槃扇。 |
| | The "Seven Elaborations" by Yan Yanzhi of the Song dynasty says: Beiyue, living alone in seclusion, erased his traces and silenced his name. His fame faded; his affairs ended. He cultivated the Dao within mountain solitude. A scholar from the East came forward, mistakenly meeting him. His dwelling was... It relied on secluded cliffs and deep shadows, with bridges and structures built among clear depths. Rock halls and arched constructions stood where the pure path met. Cold blossoms bloomed at the head of hills; fine wine was drawn from rivers' bends. The guest said: "Surrounded by stone corridors, enclosed in colorful halls. Trees mimic clouds; earth conceals all fragrances. It twists to the sky and turns wells upside down, carving circles into squares with precision. Pine arrows point from islets; medicinal gardens bloom with scented woods. Bridges cross gullies at high altitudes; plank roads climb rocky ridges upward." The guest said: "As for the hidden red mountains, golden gates and secret paths. The land's head at Min Tong; rivers flow from Wen Si. Stone is carved into music, metal refined into instruments. Thus sages appreciate their subtle sounds, poets compose verses of their purity. Then lacquered cypress produces clear tones, graceful faces display talent. Dancers perform, flutes play on platforms. They chase sorrowful winds and trace autumn dust. Soon after, guests gather to offer longevity; attendants serve meals. Faces grow quiet, no longer joyful in the high hall. Eyes watch the drum's many beats, ears hear border flutes wail and trill. Crimson egrets fly forward first, dark clouds follow until transformation. Then hairpins shimmer, solemn robes flow with grace. They raise beautiful songs while stepping lightly, lift light sleeves to cover faces. Veils flutter in confusion; fans pass between moments of stillness."
|
| | 七: |
《齊竟陵王賓僚七要》曰：松既煙而接漢，竹緣嶺而負筠，哀過鴻於月曉，悲夜猿於霜旻，乃鶴駕之非遠，信羽車之可鄰，鴻池廣象，太液染華，勢含五水，氣疏九河，既百尋而照底，亦千丈而分沙，故乘流以神王，或鼓地而目多，豈能從我，汎此安波。 |
| | The "Seven Essentials" by Prince Jingling of the Qi dynasty says: Pines, shrouded in mist, reach toward the sky; bamboo climbs hills and bears green. Grief surpasses wild geese at moonlit dawn; sorrow echoes with night monkeys under frosty skies. The crane's carriage is not far away; surely a feathered chariot can be near. Hongchi spreads wide like an image; Taiye tints flowers in color. Its power embraces five rivers, its breath disperses nine streams. Though hundreds of feet deep and clear to the bottom, it also stretches thousands of feet, dividing sands with ease. Thus one rides the current as a god-king, or strikes the earth with many eyes—how could you follow me across these tranquil waves?
|
| | 七: |
《梁蕭子範七誘》曰：幽遁公子，不遊義路，不入禮門，人主焉得為臣，公侯難以為容，有暴勢大夫，驅美澤之車，策千里之馬，乃至公子之所居。大夫曰：收苗山之鋌，採邪溪之銅，既云時吉，亦曰天中，金英內曜，銀精外通，均如屈楊之舒彩，粲若芙蓉之始紅，七星布而成列，五色變而無窮，寶兼千萬，聲重二都，邁茲巨闕，超彼鹿盧，呈形薛燭，表質風湖。大夫曰：玉饌方丈，蕙肴果器，法罄吳章，妙窮伊摯，若乃豹胎之貴，鳳卵之珍，常山之果，醴水之鱗。大夫曰：訪幼女於蔡邕，選佳人於趙都，或拾翠於神渚，或採桑於城隅，見者忘鋤而留矚，行者下檐而踟躕。女乃歌曰：井上李兮隨風摽，垂翠帷兮夜難曉，獨處廓兮心悄悄，懷素縷之雙針，願因之於三鳥。大夫曰：若乃帝思啟土，命將朔方，守邊鄙而擁角節，集兵旅而馳牙璋，或埋輪於絕域，或縶馬於遐疆，功格宇宙，威振蠻荒。大夫曰：逸態之赤兔，駿足之驪駒，龍文重於漢廄，魚目貴於西都，若乃似鹿之體，如龍之姿，繮以紫縷，繫以青絲。大夫曰：冬斬陽木，夏伐陰材，剞劂之功咸至，鉤繩之妙並來，擬天文而特建，象地戶而高開，麗前脩之金屋，陋曩日之璜臺，若乃緹錦遍室，丹青被土，白珠之簾，水精之柱，綺井鏤而重葩，華桶煥而相距，文石之井，珊瑚之樹，紫複峻而連天，青綺高而干霧。大夫曰：自五氣初運，二靈始分，蛇身之帝，牛首之君，焉足道哉。若乃聖皇之馭國，得附枝而居位，陋重華之聰明，蔑放勳之文思，通犀文甲之獻，相繼於天府，金鸚銀鳥之錫，不絕於史書，當此之日，子能佩玉而侍乎。公子竦然曰：前靡靡之數說，皆非鄙性之所娛，如今之善誘，請就列於康衢。 |
| | The "Seven Temptations" by Xiao Zifan of the Liang dynasty says: Youdu Gongzi did not travel the path of righteousness, nor enter the gate of ritual. How could a ruler make him a minister? How could marquises and dukes find place for him? Then came a powerful official, driving a fine carriage with beauty, urging on a thousand-mile horse, until he reached where Master Youdu dwelled. The official said: "Gather iron from Miaoshan, mine copper from Xixi. It is both a time of good fortune and the center of Heaven's will. Golden brilliance shines within; silver essence flows outward. Smooth as the bending elm displaying its colors, radiant like newly blooming lotus. Seven stars spread in order; five hues transform endlessly. Its treasures number ten thousand; its fame weighs over two capitals. Surpassing great gates, exceeding Lu Lu—its form appears at Xuezhu, revealing its quality on Fenghu Lake." The official said: "Jade-like delicacies fill the table, orchid-shaped dishes and fruit vessels. The laws of Wu Zhang are perfected; the subtleties of Yi Zhi reach their peak. As for the precious leopard fetus, the rare phoenix egg—the fruits of Changshan Mountain, the fish of Lishui Spring." The official said: "Seek young maidens from Cai Yong, choose beauties in Zhao's capital. Some gather jade-green feathers by divine islets; others pick mulberry leaves at city corners. Those who see them forget their hoes and linger with admiration; those passing stop beneath eaves to hesitate." The woman then sang: "The plum by the well falls with the wind; green curtains hang low, night hard to break. Alone in emptiness, my heart feels quiet sorrow. Holding a pair of white threads, I wish them carried by three birds." The official said: "When the emperor seeks to expand his land, he commands generals in the north. They guard borders with horned staffs and gather armies, issuing jade tokens for command. Some bury wheels in distant lands; others tether horses on far frontiers. Their achievements reach Heaven and Earth; their might shakes southern wilds." The official said: "The red Tǔ horse of Yitai, the swift black foal with noble gait. Dragon-patterned steeds valued in Han stables; fish-eyed horses prized in western capitals. Their forms resemble deer, their postures dragons—reins woven with purple threads, bridles tied with green silk." The official said: "In winter, cut yang wood; in summer, fell yin timber. The skills of carving and measuring are complete, the subtlety of ropes and lines all arrive. They model after celestial patterns to build uniquely, resemble Earth's gate with lofty openings. Their beauty surpasses golden halls of former sages, outshines jade platforms of old days. Then crimson brocade covers rooms; painted murals adorn walls. Purple pearl curtains hang, crystal pillars stand tall. Patterned wells bloom in layers; gilded columns shine side by side. Ornate stones form wells, coral trees grow. Purple ridges rise to touch the sky; blue silks ascend into mist." The official said: "Since the Five Qi first moved and the Two Spirits began to separate, emperors with snake bodies and kings with ox heads—how worthy are they of mention?" As for the sage emperor ruling his state, he attained power by grasping a branch. He looked down upon Zhonghua's wisdom and despised Fangxun's literary thought. Contributions of rhino-patterned armor followed one after another to the imperial treasury; golden parrots and silver birds were never absent from historical records. On such days—could you wear jade and serve at court?" The gentleman stood up in alarm, saying: "All those previous seductive words were not what my humble nature finds pleasing. But now, with such skillful persuasion, I shall take my place among the broad roads of prosperity."
|
