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Scope: 歷代沿革下 Request type: Paragraph |
Condition 1: Contains text "屈茨琵琶五絃箜篌胡●胡鼓銅鈸打沙羅胡舞鏗鏘鏜鎝上音湯" Matched:1. |
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《歷代沿革下》 | Library Resources |
22 | 歷代沿革... : | 自宣武已後,始愛胡聲,洎於遷都。屈茨,琵琶,五絃,箜篌,胡●,胡鼓,銅鈸,打沙羅,胡舞鏗鏘鏜鎝,上音湯。下音塔。洪心駭耳,撫箏新靡絕麗,歌響全似吟哭,聽之者無不悽愴。琵琶及當路琴瑟殆絕音。皆初聲頗復閑緩,度曲轉急躁。按此音所由,源出西域諸天諸佛韻調,婁羅胡語,直置難解,況復被之土木?是以感其聲者,莫不奢淫躁競,舉止輕飆,或踊或躍,乍動乍息,蹻羌嬌反腳彈指,撼頭弄目,情發於中,不能自止。論樂豈須鐘鼓,但問風化淺深,雖此胡聲,足敗華俗。非唯人情感動,衣服亦隨之以變,長衫戇帽,闊帶小闪,自號驚緊,爭入時代;婦女衣髻,亦尚危側,不重從容,俱笑寬緩。蓋驚危者,勢不久安,此兆先見,何以能立!形貌如此,心亦隨之。亡國之音,亦由浮競,豈唯哀細,獨表衰微。操絃執籥,雖出瞽史;易俗移風,實在時政。 |
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