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《卷三丁年玉笋志》
5  | 秀芸在群芳中，异品也，初命之曰「绿牡丹」。继思明崇祯朝有作《绿牡丹传奇》以刺复社中人者，嫌其非佳名，乃更命之曰「绿萼梅」。当日上界仙人萼绿华降羊权家，留赠白玉条脱而去。天仙化人，游戏神通，目无下尘，故应尔尔。秀芸在光裕堂不得于桐仙之妻，乃出之。桐仙意固未忍遽舍也。初归咏霓堂，余实为盟主。甫入门，小霞笑谓馀：「君于此子犹子也。曩君颇眷雨初，今名秀芸，为秀芸字之曰『晴初』，可乎？」在坐者咸相视而笑。秀芸，或作秀筠，字竹君，从其朔也。然桐仙门下花君诸郎名辈行皆以小相为主，字并从草。呼龙耕烟种瑶草，如此妙卉，夫岂易得？馀乃定书作「秀芸」。秀芸事事肖小霞，而歌喉高过其师远甚，荀卿有言「青出于蓝，冰寒于水」，正所谓「当让此子出一头地」，不止沆瀣一气而已。毛初晴作教歌头，罗三行序曰：「罗三非歌人，乞毛生为作歌，庶人知罗三苦沈沦也。」故其诗援元白例，按度刌节为疏记，后有作者犹可寻绎。此天下第一有心人也。唐太宗文皇帝为元奘法师制《圣教序》曰：「松风水月，未足比其清华；仙露明珠，讵能方其朗润。」善哉！可为妙于形容。然馀所品题秀芸，闻吾言者，固疑信半焉。此中人语，固云不足为外人道也。 |
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