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《卷第一》
1  | 物之寓世，未嘗不韜形滅影，隱質遐外，以全性棲命者也。夫含奇佩美，衒異露才者，未有不以此傷性毀命者也。故翠以羽自殘，龜以智自害，舟以含色磨肌，石以抱玉碎質。此四者，生於異俗，與人非不隔也，託性於山林，寄情於物外，非有求於人也，然而自貽伊患者，未能隱其形也。若使翠歛翮於明丘之林，則解羽之患礼脫；龜曳尾於暘谷之泥，則鑽灼之患不至；丹伏光於春山之底，則磨肌之患礼絕；石亢體於玄圃之喦，則剖琢之憂不及。故窮巖曲岫之梓榤，生於積石，穎貫青天，根鑿黃泉，分條布葉，輪菌磥硊，騏驎戲其下，鵷鸞游其顛，浮雲棲其側，清風激其間，終歲無毫釐之憂，免刀斧之害者，非與人有德也，能韜隱其質，故致全性也。路側之榆，樵人採其條，匠者伐其柯，餘有尺蘗，而為行人所折者，非與人有讎也，然而致寇者，形不隱也。周鷄斷尾，獲免犧牲；山狙見巧，終必招害。由此言之，則出處之理，亦可知矣。是以古之有德者，韜迹隱智，以密其外；澄心封情，以定其內。內定則神腑不亂，外密則形骸不擾。以此處身，不亦全乎？ |
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