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《卷二》
2  | 墨薮卷二 唐 韦续 纂张长史十二意笔法第十一 顔真卿予罢秩醴泉特诣东洛访金吾长史张公请师笔法长史于时在裴儆宅憇止已一年衆师张公求笔法或有得者皆曰神妙仆顷在长安二年师事张公竟不䝉传授使知是也人或问笔法者张公皆大笑而已即对草书或三纸五纸皆乘兴而散不复有得其言者仆自再逰于洛下相见眷然不替仆因问裴儆足下师敬长史有何所得曰但得绢屏素本数轴亦尝请论笔法唯言倍加功学临冩书法当自悟矣仆自停裴家月馀日因与裴儆从长史言话儆前请曰既承九丈奨谕日月滋深夙夜工勤溺于翰墨傥得闻笔法要诀则终为师学以兾至于能妙岂任感戴之诚也长史久不言乃左右眄视拂然而起仆乃从行归来竹林院小堂张公乃当堂踞坐牀而命仆居乎小榻而曰笔法𤣥㣲难妄传授非志士髙人讵可与言要妙也书之求能且功真草今以授之可须思妙乃曰夫平为横子知之乎仆思以对曰常闻长史令为一平画皆须纵横有象此岂非其谓乎长史乃笑曰然又曰直为纵子知之乎曰岂不为直者必不令邪曲之谓乎曰均为间子知之乎曰尝䝉示间不容光之谓乎曰密为踈子知之乎曰岂不为筑锋下笔皆令宛成不令甚踈之谓乎曰锋为末子知之乎曰岂不谓末以成画其锋健之谓乎曰力为骨体子知之乎曰岂不谓趯笔则㸃画皆有筋骨字体自然雄媚之谓乎曰轻为曲折子知之乎曰岂不谓鈎笔转角折锋轻过之谓乎亦谓转角为暗过之谓乎曰决为牵掣子知之乎曰岂不谓为牵为掣决意挫锋使不怯滞令险峻而成以谓之决乎曰补为不足子知之乎曰岂不谓㸃画或有失趋者则以引㸃画救之之谓乎曰损为有馀子知之乎曰岂不谓趣长笔短常使意势有馀谓画若不足之谓乎曰巧为布置子知之乎曰岂不谓欲书先预想字形布置令其平稳或意外字体令有异势是谓之巧乎曰称为大小子知之乎曰岂不谓大字蹙之令小小字展之为大兼为茂密所以为称乎长史曰子言颇皆近之矣夫书道之妙焕乎其有旨焉字外之竒言所不能尽世之书者宗二王元常逸迹曾不睥睨笔法之妙遂尔雷同献之书谓之古肥张旭书谓之今瘠古今殊异肥瘠颇反如自省覧有异衆说锺繇巧趣精细始自机神肥痩古今岂易致意真迹虽少可得而推逸少至于学锺势巧形容及其独运意踈字缓譬楚人习夏不能无楚过言不絶未为笃论又子敬之不逮逸少犹逸少之不逮元常学子敬者画虎也学元常者画龙也余虽不习久得其道不习而言必慕之与傥著巧思思盈半矣子其勉之功精勤悉自当妙笔真卿前请曰幸䝉长史传授笔法敢问工书之妙如何得齐于古人张公曰妙在执笔令得圎转勿使拘挛其次识法谓口传授之诀勿使无度所谓笔法在也其次在于布置不慢不越巧使合宜其次纸笔精佳其次变法适怀纵舎规矩五者备矣然后齐于古人矣敢问执笔之理颇得闻乎长史曰予传于笔法得之于老舅彦逺曰吾闻昔日说书若学有功而迹不至后闻于褚河南公用笔当须知印泥画沙始而不悟后于江岛见沙地平净令人意恱欲书乃偶以利锋画其劲险之状明利𡡾好乃悟用笔如锥画沙使其蔵锋画乃沉著当其用锋常欲使其透过纸背此功成之极矣真草用笔悉如画泥沙则其道至矣是乃其迹可久自然齐于古人矣但思此理以专想功用故其画㸃不得妄动子其书绅余遂铭谢再拜逡巡而退自此得攻墨之术于兹五年真草自知可成矣王逸少笔势传第十二 |
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