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《卷七》
63  | 胡子厚與予論詩曰：「人有恆言曰：唐以詩取士，故詩盛；今代以經義選舉，故詩衰。此論非也。詩之盛衰，系於人之才與學，不因上之所取也。漢以射策取士，而蘇李之詩、班馬之賦出焉，此豈系於上乎？屈原之《騷》，爭光日月，楚豈以騷取人耶？況唐人所取五言八韻之律，今所傳省題詩，多不工。今傳世者，非省題詩也。姑以畫論，晉有顧凱之，唐有吳道玄，晉唐未嘗以畫取士也。至宋則馬遠、夏珪，不足為顧、吳之衙官，近代吳小仙、林良，又不足為馬、夏之奴僕。畫既有之，詩亦宜然，謂之時代可也。」餘深服其言。唐子元薦與予書，論本朝之詩：「洪武初，高季迪袁可潛一變元風，首開大雅，卓乎冠矣。二公而下，又有林子羽、劉子高、孫炎、孫蕡、黃元之、楊孟載輩羽翼之。近日好高論者曰沿習元體，其失也瞽。又曰國初無詩，其失也聾。一代之文，曷可誣哉！永樂之末至成化之初，則微乎𧳍矣。弘治間，文明中天，古學煥日：藝苑則李懷麓張滄洲為赤幟，而和之者多失於流易；山林則陳白沙莊定山稱白眉，而識者皆以為傍門。至李何二子一出，變而學杜，壯乎偉矣。然正變雲擾而剽襲雷同，比興漸微而風騷稍遠，唐子應德箴其偏焉。嘉靖初，稍稍厭棄，更為六朝之調。初唐之體，蔚乎盛矣，而纖艷不逞，闡緩無當，作非神解，傳同耳食。陳子約之議其後焉。」張子愈光，滇之詩人也。 |
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