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《琴譜序》
3  | 粤自湘妃写怨，苍梧留帝子之音。蔡氏知音，绿水尽中郎之妙。改新声于北魏，艳说虞妃。纪韵事于西京，争夸赵后。邮亭女子，识楚国之明光。上景仙姝，倡汉宫之绝调。拍成雅操，癖有落霞谱人乐章。歌新子夜，故弦调九弄。香闺大有传人，亦琴鼓三终。正坐犹严女训，然而文君心荡，绮靡相沿，于嫂音微，筝琶莫辨，鸣鸾寡和，畴环珮之迎风，舞鹤不来，空丝桐之伫月，洋洋盈耳。半属淫哇，诩诩师心，殊乖古法，安弦操缦，堪羞艳李浓桃，累牌连篇。只诮灾梨祸枣，求其曲操雅正，音律详明，则《春草堂》原谱一书，固后学之津梁，元音之真诀也。所惜者徽分一间，尚误曲中，弦审五音，微差位表。吾师祝桐君先生为当时伯牙，将取此卷正之。乃仓皇戎马，未操郢上之觚，况瘁征鸿，早返闽中之驾。余也抚琴动操，指训亲承扢雅扬风，心传愿绍，因女红之馀暇，细校徽音，合元律之精微，详加删订。神来意会，每触类而旁通，激浊扬清，务纤毫之无憾，经年绮阁，既告成功。反命张帷，用谋锓板，所翼三声类聚，与古为徒，若云千载赏音，则吾岂敢。 |
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