| 中國哲學書電子化計劃 |
《人部十六》 | 英文翻譯：人工智能和中國哲學書電子化計劃用戶 [?] | 電子圖書館 |
《閨情 - Guiqing 》 | 英文翻譯：人工智能和中國哲學書電子化計劃用戶 [?] | 電子圖書館 |
| 1 | 閨情: |
《毛詩》曰：自伯之東，首如飛蓬，豈無膏沐，誰適為容。 又：角枕粲兮，錦衾爛兮，予美忘此，誰與獨旦。 又：我徂東山，滔滔不歸，我來自東，零雨其濛，鸛鳴于垤，婦歎于室。 又：采綠，刺怨曠也。幽王之時，多怨曠者，終朝采綠，不盈一匊，予髮曲局，薄言歸沐，終朝采藍，不盈一襜，五日為期，六日不詹。 又：靜女其姝，俟我於城隅，愛而不見，搔首踟躕。 又：燕爾新婚，如兄如弟。 又曰：未見君子，憂心忡忡，亦既見止，亦既覯止，我心則降。 又：未見君子，憂心惙惙，亦既見止，亦既覯止，我心則悅。 |
| The Mao Shi says: "Since my lord went eastward, my hair hangs like flying thistle. Is it for lack of oil and water? Who am I to beautify myself for?" Also: "The horn-shaped pillow shines brightly, the brocade quilt gleams. My beloved has forgotten this place; who will keep vigil with me alone?" Also: "I went east to Dongshan, and did not return. I came from the east, with drizzling rain; storks cry on mounds, while a wife sighs in her room." Also: "Cai Lü" criticizes the sorrow of being abandoned. During the reign of King You, there were many who lamented abandonment. All day she gathered green herbs, yet could not fill a single handful; my hair is curled and disheveled—let me go bathe it soon. All day I picked indigo plants, but still could not fill one sash. We set five days as the deadline, yet six passed without his coming. Also: "A quiet girl so fair, she waits for me at the city corner; hiding with affection, I scratch my head and pace back and forth." Also: "In your joyous new marriage, you are like a brother to me." Also said: "Before meeting the gentleman, my heart was full of worry. Now that I have seen him, now that I have met him face to face, my heart is at ease." Also: "Before meeting the gentleman, I was anxious and distressed. Now that I have seen him face to face, now that we are together, my heart rejoices." | ||
| 2 | 閨情: |
《左傳》：晉叔向曰：昔賈大夫惡，娶妻而美，三年不言不笑，御以如皋，射雉獲之，其妻始笑而言。 又。晉文公謂季隗曰：待我二十五年不來而後嫁。季隗曰：我二十五年矣。又如是而嫁，則就木焉。 |
| The Zuo Zhuan: Jin Shuxiang said, "In the past, Master Jia was ugly. He married a beautiful wife who did not speak or smile for three years. When he took her to Gaoshan, he shot and caught a pheasant; only then did his wife begin to smile and speak." Also. Jin Wen Gong said to Ji Kui: "Wait for me twenty-five years, and if I do not return by then, you may marry another." Ji Kui said: "I have already waited twenty-five years." If I were to marry again in this way, it would be like clinging to a dead tree. | ||
| 3 | 閨情: | 《說苑》曰：齊王起九重之臺，募國中能畫者，賜之錢，有敬君，居常飢寒，其妻妙色，敬君工畫臺，貪賜畫臺去家日久，思憶其妻，像向之而笑，傍人見以白王，王召問之。對曰：有妻如此，去家日久，心常念之，竊畫其像，以慰離心，不悟上聞。 |
| The Shuo Yuan says: King Qi built a nine-story terrace and sought painters from the capital, offering them money. There was Jing Jun, who often suffered hunger and cold; his wife was beautiful. Jing Jun skillfully painted the terrace. Greedy for the reward, he left home to paint the terrace for a long time. Missing his wife, he looked toward her direction while smiling. A passerby saw this and reported it to the king, so King Qi summoned him and asked about it. He replied: "With a wife like her, after being away from home for so long, I often think of her. Secretly, I painted her likeness to comfort my heart in separation; I did not realize the king would hear about it." | ||
| 4 | 閨情: |
《漢張敞為婦畫眉》：帝知問之。敞曰：閨房之內，夫婦之私，有過此者。 又：李夫人得幸武帝而卒，上憐憫焉。圖畫其像於甘泉宮，初李夫人病篤，上自臨候之。夫人蒙被謝曰：妾久寢病，形貌毀壞，不可以見帝。上曰：夫人病亦甚，殆將不起，一見我，屬託王及兄弟，豈不快哉。夫人曰：尊官在帝，不在一見，上復言，欲必見之，夫人遂轉面向壁歔欷，上不悅而起。夫人姉妹讓之曰：獨不可一見上，屬託兄弟耶。夫人曰：不見帝者，乃欲深託兄弟也。夫以色事人者，色衰則愛弛，上所戀戀念我，以平生容貌也。今見我毀壞，顏色非昔，必且畏惡我，尚肯思復錄其兄弟哉。 |
| "Han Zhang Chang Drawing His Wife's Eyebrows": The emperor learned of this and asked him about it. Zhang Chang said: "What goes on within the inner chambers is a private matter between husband and wife; there are even more intimate things than this." Also: Lady Li, who had the emperor's favor during Emperor Wu's reign, died. The emperor felt deep sorrow and pity for her. He had her portrait painted in the Ganhuan Palace. Initially, when Lady Li was gravely ill, the emperor personally visited to see her condition. Lady Li replied while covering herself with a quilt: "I have been bedridden for a long time, and my appearance is ruined; I cannot be seen by the emperor." The emperor said: "Lady, your illness is serious; you may not recover. If you could see me once and entrust your wishes to the king and your brothers, would it not bring you peace?" Lady Li said: "Your high position is due to the emperor, not because of a single meeting." The emperor repeated his request and insisted on seeing her. Lady Li then turned away toward the wall, sobbing quietly, which made the emperor unhappy as he left. Lady Li's sisters scolded her and said: "Is it not possible for you to see His Majesty once, just to entrust your brothers with something?" Lady Li said: "Not seeing the emperor is precisely why I wish to place a deeper trust in my brothers." Those who serve others through their beauty will find affection wane when the beauty fades. What the emperor longs for and remembers about me is my youthful appearance. Now, if he sees my ruined appearance and realizes I am no longer as beautiful as before, he will surely fear me or despise me. Would he still be willing to think of taking care of my brothers? | ||
| 5 | 閨情: | 《風俗通》曰：有張伯偕仲偕兄弟，形貌絕相類，仲偕妻新粧竟，忽見伯偕。乃戲問曰：今日粧飾好不。伯偕應之曰：我伯偕也。妻乃趍避之，須臾，又見伯偕，猶以為仲偕，告云，向大錯誤。伯偕曰：我故伯偕也。 |
| The Feng Su Tong says: There were two brothers, Zhang Boxie and Zhongxie. They looked exactly alike in appearance. One day, after Zhongxie's wife had just finished her makeup, she suddenly saw Boxie. She then jokingly asked: "Is my makeup nice today?" Boxie replied: "I am Boxie." The wife hurriedly avoided him. A short while later, she saw Boxie again and still thought it was Zhongxie, so she told him: "Earlier I made a big mistake." Boxie said: "I am indeed Boxie." | ||
| 6 | 閨情: |
《世說》曰：王渾妻鍾夫人，每嘗卿渾。渾曰：詎可爾。妻曰：憐愛卿，是以卿卿，我不卿卿，誰當卿卿。 又曰：荀奉蒨妻曹氏，有豔色，妻常病熱，奉蒨乃出中庭取冷，還，以家熨之，妻亡人弔，不哭而神傷，無幾，奉蒨亦卒。 又曰：孫楚妻亡，至祥，仍為詩以悼之。王武子見其文曰：未知文生於情，情生於文，見此使人增伉儷之重。 |
| The Shi Shuo says: Zhong Fu Ren, the wife of Wang Hun, often addressed him as "qing hun." Wang Hun said: "How can that be?" His wife said: "I love you dearly, so I call you 'qing.' If I do not call you 'qing,' who else will call me 'qing'?" Also said: Cao Shi, the wife of Xun Fengqian, was very beautiful. When she often suffered from fever, Fengqian would go to the courtyard to fetch cool air and bring it back home, using a cloth to apply it on her body for relief. After his wife's death, when others came to mourn, he did not weep but was deeply grieved in spirit. Soon after, Fengqian also died. Also said: After Sun Chu's wife passed away, on the day of her funeral rites, he composed a poem to mourn her. Wang Wuzi read his work and said: "I do not know whether sentiment gives rise to writing, or writing gives rise to sentiment. Seeing this makes one appreciate the value of a loving couple even more." | ||
| 7 | 閨情: | 《湘川記》曰：舜巡狩蒼梧而崩，三妃不從，思憶舜，以淚染竹，竹盡為班。 |
| The Xiangchuan Ji says: When Shun toured and inspected the region of Cangwu, he died there. His three consorts did not follow him; they missed him deeply, and their tears stained the bamboo, which turned into patterns—thus creating "ban" bamboo. | ||
| 8 | 閨情: |
【詩】《古詩》曰：青青河畔草，鬱鬱園中柳，盈盈樓上女，皎皎當窗牖，峨峨紅粉粧，纖纖出素手，昔為娼家女，今為蕩子婦，蕩子行不歸，空床難獨守。 又曰：上山採蘪蕪，下山逢故夫，長跪問故夫，新人復何如，新人雖云好，未若故人姝，其色似相類，手爪不相如，新人從門入，故人從閤去，新人工織縑，故人工織素，織縑日一匹，織素五丈餘，持縑將比素，新人不如故。 又曰：蘭若生春陽，涉冬猶盛滋，願言追昔愛，情款感四時，美人在雲端，天路隔無期。 |
| [Poem] The "Ancient Poem" says: "Green is the grass by the riverside, lush are the willows in the garden. A graceful maiden on the tower stands bright before her window. Her red-painted face is adorned elegantly; her delicate hands emerge pale and fine. Once a courtesan's daughter, now she has become the wife of a wandering man. The wanderer travels but does not return; how can one guard an empty bed alone?" Also said: "Going up the mountain to gather mianwu, I met my former husband on the way down. Kneeling respectfully, I asked him about his new wife. 'How is your new bride?' My husband replied: 'Though she is beautiful, she cannot compare with you. Her looks may be similar, but her hands are not as graceful. The new wife enters through the main gate; you left from a side door. She is good at weaving brocade, while you were skilled in weaving plain silk. She weaves one bolt of brocade per day, whereas you wove over five zhang of plain silk. When comparing brocade to plain silk, the new bride cannot match your excellence.'" Also said: "The orchid and sandalwood grow in the spring sunshine, thriving even through winter. I long to follow my past love; my sincere feelings touch all four seasons. A beautiful person dwells in the clouds above, separated from me by an endless path across heaven." | ||
| 9 | 閨情: | 《後漢焦仲卿妻劉氏》：為姑所遣，時人傷之。作詩曰：孔雀東南飛，五里一徘徊，十三能織綺，十四學裁衣，十五彈箜篌，十六誦書詩，十七嫁為婦，心中常苦悲，君既為府史，守節情不移，雞鳴入機織，夜夜不得息，三日斷五疋，大人故言遲，非為織作遲，君家婦難為，妾有繡腰襦，葳蕤金縷光，紅羅複斗帳，四角垂香囊，交文象牙簟，宛轉素絲繩，鄙賤雖可薄，猶中迎後人。 |
| "Mrs. Liu, Wife of Jiao Zhongqing of the Later Han Dynasty": She was sent away by her mother-in-law; people at that time felt sorrow for her. She composed a poem: "The peacock flies southeast, pausing every five li. At thirteen I could weave brocade; at fourteen I learned to sew clothes. At fifteen I played the konghou zither; at sixteen I recited poetry and books. At seventeen I became a wife, yet my heart has always been filled with sorrow. You are an official of the government, but your loyalty remains unchanged. At cockcrow I enter the loom to weave, night after night without rest. In three days I finish five bolts of cloth, yet my mother-in-law still calls me slow. It is not that I am slow at weaving; it's just hard being a daughter-in-law in your family. I have an embroidered waistcoat, with delicate golden thread shimmering. A red silk canopy bed hangs above, its four corners adorned with fragrant sachets. An interwoven ivory mat lies beneath, held by fine white silk ropes. Though humble and lowly, these things are still suitable for a future bride." | ||
| 10 | 閨情: |
《魏陳王曹植詩》曰：攬衣出中閨，逍遙步兩楹，閑房何寂寥，綠草被階庭，空穴自生風，百鳥翩南征，春思安可忘，憂戚與君并，佳人在遠道，妾身單且煢，歡會難再遇，蘭芝不重榮，人皆棄舊愛，君豈若平生，寄松為女蘿，依水如浮萍，身奉衿帶，朝夕不墮傾，儻終顧眄恩，永副我中情。 又曰：明月照高樓，流光正徘徊，上有愁思婦，悲歎有餘哀，借問歎者誰，云是客子妻，君行踰十年，孤妾常獨栖，君若清路塵，妾若濁水泥，浮沉各異勢，會合何時諧，願為西南風，長遊入君懷，君懷時不開，妾心將何依。 又曰：西北有織婦，綺縞何繽紛，明晨秉機杼，日晏不成文，太息終長夜，悲嘯入青雲，妾身守空房，良人從行軍，自期三年歸，今已歷九春，孤鳥繞樹翔，噭噭鳴索群，願為南流景，馳光見我君。 |
| In the poetry of Cao Zhi, Prince Chen of Wei: "I put on my robe and left the inner chamber, strolling leisurely between the pillars. How desolate is this empty room? Green grass covers the steps and courtyard. An empty hole naturally brings wind; a hundred birds fly southward in flocks. How can spring longing be forgotten? My sorrow and grief are shared with you. A beloved person dwells afar, while I remain alone and forsaken. Joyful reunions are hard to come by again, just as orchids do not bloom twice. People all abandon their old loves; would you too forget me as time passes? I cling like a tangle of moss on pine trees, or like duckweed drifting upon water. I serve you faithfully with my life, day and night without wavering. If in the end your gaze still rests on me with kindness, it will fulfill my deepest feelings forever." Also said: "The bright moon shines on the high tower, its light lingering and wandering. Above is a woman full of sorrow; her sighs carry more than grief. Asking who laments thus, they say it's the wife of a traveler. You have been away for over ten years, while I live alone in solitude. You are like dust on a clear road, and I am like muddy silt. We drift apart with different fates; when can we ever reunite? I wish to become the southwest wind, forever drifting into your embrace. But if your heart remains closed, where shall my heart find rest?" Also said: "In the northwest, there is a weaving woman; her brocade and gauze are so colorful. At dawn she takes up the loom, but by dusk no pattern is complete. She sighs through the long night, her sorrowful cries reaching into the blue sky. I guard an empty room alone, while my husband follows the army on campaign. He promised to return in three years; now it has already passed nine springs. A lone bird circles above the tree, crying out for its flock. I wish to be a ray of southern light, speeding forward so that my lord may see me." | ||
| 11 | 閨情: | 《魏徐幹室思詩》曰：浮雲何洋洋，願因通我辭，一逝不可歸，嘯歌久踟躕，人離皆復會，我獨無反期，自君之出矣。明鏡開不治，思君如流水，何有窮已時。 |
| In the Shi Si Shi by Xu Gan of Wei: "The drifting clouds are so vast; I wish they could carry my words. Once gone, one cannot return; I have long lingered and sighed. People part but will reunite again, yet alone do I lack a time to return. Ever since you left..." The bright mirror lies open and unused; my longing for you flows like water, never ceasing. | ||
| 12 | 閨情: | 《晉潘岳內顧詩》曰：靜居懷所歡，登城望四澤，春草鬱青青，桑者何弈弈，芳林振丹榮，淥水激素石，初征冰未泮，忽焉振絺綌，漫漫三千里，迢迢遠行客，馳情戀朱顏，寸陰過盈尺，夜愁極清晨，朝悲終日夕，山川自悠永，願言良不獲，別嶺訴歸期，雲沉不可釋。 |
| In the Neigu Shi by Pan Yue of Jin: "Living in quietness, I think of my beloved; climbing the city wall to gaze at the four marshes. The spring grass is lush and green; mulberry pickers are busy. Fragrant woods display their red blossoms; clear waters rush over stones. At first, travel begins with ice still unthawed, yet suddenly it's time for thin summer clothes. Three thousand li stretch endlessly; a distant traveler journeys far away. My heart gallops after your rosy face; each moment passes like more than an inch. Nightly sorrow reaches dawn; morning grief lingers until dusk. Mountains and rivers remain eternal, but my wish to reunite is unfulfilled. I climb the mountain of parting to plead for a return date, yet clouds hang low—no answer comes." | ||
| 13 | 閨情: |
《晉陸機為陸思遠婦作詩》曰：二合兆嘉偶，女子禮有行，潔己入德門，終遠母與兄，如何躭時寵，遊宦忘歸寧，雖為三載婦，顧景媿虛名，歲暮饒悲風，洞房涼且清，拊枕循薄質，非君誰見榮，離君多悲心，寤寐勞人情，敢忘桃李陋，側想瑤與瓊。又擬青青河畔草詩曰：靡靡江離草，熠爍生河側，皎皎彼姝女，婀娜當軒織，粲粲嬌容姿，灼灼美顏色，良人遊不歸，偏栖獨隻翼，空房來悲風，中夜起歎息。 又《擬蘭若生春陽詩》曰：嘉樹生朝陽，凝想封其條，執心守時信，歲寒終不凋，美人何其曠，的的在雲霄。 |
| In the poem written by Lu Ji of Jin for the wife of Lu Siyuan: "Two unions foretell a happy match; as a daughter, she follows proper rites. She purifies herself and enters her husband's noble home, forever distant from mother and brothers. How could he indulge in worldly favor, forgetting to return home? Though married now for three years, I feel ashamed of my empty reputation. As the year ends, sorrowful winds abound; the inner chamber is cool and quiet. Pressing the pillow against my frail body, who else but you would see me honored? Separated from you, my heart aches day and night. How could I forget the humble peach and plum trees, yet I long for jade and qiong." Another poem modeled after "The Green Grass by the Riverside" says: "Soft and graceful is the Jiangli grass, shimmering along the river's side. There stands a fair maiden, elegant as she weaves before her hall. Her radiant beauty glows; her lovely face shines bright. My husband travels but does not return, leaving me with only one wing to rest on. A sorrowful wind enters my empty room, and in the middle of the night I sigh deeply." Another poem, modeled after "The Orchid and Sandalwood Grow in the Spring Sun," says: "A noble tree grows toward the morning sun; I imagine its branches growing dense. With a steadfast heart, I keep my promise through time; even when winter comes, it never withers. How distant is that fair one? Clearly visible among the clouds." | ||
| 14 | 閨情: |
《晉張華情詩》曰：北方有佳人，端坐鼓鳴琴，終晨撫管絃，日夕不成音，憂來結不解，我思存所欽。 又《情詩》曰：君居北海陽，妾在江南陰，懸貌極脩途，山川阻且深，承懽注隆愛，結分投所欽，銜恩守篤義，萬里託微心。 又詩曰：遊目四野外，逍遙獨延佇，蘭蕙緣清渠，繁華陰淥渚，佳人不在茲，取之欲誰與，巢居知寒風，穴處知陰雨，不曾遠別離，安知慕儔侶。 |
| In the Qingshi by Zhang Hua of Jin: "There is a fair lady in the north, sitting upright as she plays her zither. From dawn to dusk she plucks strings and flutes, yet no melody completes itself. My sorrow knots deep within; my thoughts dwell on one I admire." Another "Qingshi" says: "You dwell in the southern part of Beihai, while I remain in the northern reaches of Jiangnan. Our faces hang apart across a long road; mountains and rivers block us deeply. We once shared joy and deep affection, binding our hearts to one another. Carrying this kindness, we uphold loyalty and sincerity, entrusting my small heart from ten thousand li away." Another poem says: "Looking out over the four fields, I wander and linger alone. Orchids grow along clear streams; their blossoms shade green islets. The fair one is not here—what beauty can I offer to whom? Birds in nests know the cold wind; creatures in holes feel the rain. Never having been far apart, how could we understand longing for each other?" | ||
| 15 | 閨情: | 《宋孝武帝擬室思詩》曰：自君之出矣。金翠闇無精，思君如日月，迴還晝夜生。宋江夏劉義恭擬詩曰：自君之出矣。笥錦廢不開，思君如清風，曉夜嘗徘徊。 |
| In the Neishi Shi by Emperor Xiaowu of Song: "Since you left..." The golden and green ornaments grow dull, my longing for you like the sun and moon—returning day and night. In a poem modeled by Liu Yigong of Jiangxia in Song: "Since you left..." The silk chest remains closed and unused; I think of you like a gentle breeze, wandering day and night. | ||
| 16 | 閨情: | 《宋顏師伯擬詩》曰：自君之出矣。芳帷低不舉，思君如迴雪，流亂無端緒。 |
| In the modeled poem by Yan Shibai of Song: "Since you left..." The fragrant curtain hangs low and unmoved; I think of you as swirling snow, drifting in disorder without beginning or end. | ||
| 17 | 閨情: | 《齊王融秋胡詩》曰：日月共為照，松筠俱以貞，佩紛甘自遠，結鏡待君明，且協金蘭好，方愉琴瑟情，佳人忽千里，空閨積思生。 |
| In the Qiutu Shi by Wang Rong of Qi: "The sun and moon shine together; pine and bamboo both remain loyal. I wear my ornaments, content to be far away, holding a mirror waiting for your clarity. Let us first share the bond of friendship, then enjoy harmonious love like zither and lute. Suddenly, the fair one is a thousand li distant; in this empty room, thoughts accumulate." | ||
| 18 | 閨情: |
《梁簡文帝詠人棄妾詩》曰：昔時嬌玉步，含羞花燭邊，豈言心愛斷，銜啼私自憐，但覺歡成愁，非關醜易妍，獨鵠罷中路，孤鸞死鏡前。 又《春宵詩》曰：花樹含春藂，羅帳夜長空，風聲隨篠韻，月色與池同，綵牋徒自襞，無信往雲中。 又《曉思詩》曰：晨禽爭學囀，朝花亂欲開，鑪煙入斗帳，屏風隱鏡臺，紅粧幾盡淚，蕩子何當來。 又《冬曉詩》曰：冬朝日照梁，含愁下前床，帷褰竹葉帶，鏡轉菱花光，會是無人覺，何用早紅粧。 又《秋閨夜思詩》曰：非關長信別，詎是良人征，九重忽不見，萬恨滿心生，夕門掩魚鑰，宵床悲畫屏，迴月臨階度，吟蟲繞砌鳴，初霜實細葉，秋風吹亂螢，故粧猶累日，新衣裂未成，欲知妾不寐，城外搗砧聲。 又《倡樓怨節詩》曰：朝日斜來照戶，春鳥爭飛出林，片光片影皆麗，一聲一囀煎心，上林紛紛花落，淇水漠漠苔浮，年馳節流易盡，何為忍意含羞。 又《春別詩》曰：別觀蒲萄帶實垂，江南荳蔻生連枝，無情無意又如此，有心有恨徒別離。 又詩曰：可憐淮水去來潮，春隄楊柳覆河橋，淚痕未燥詎終朝，行聞玉佩已相要。 又詩曰：桃紅李白若朝粧，羞持憔悴比新芳，不惜暫住君前死，愁無西國更生香。 |
| In the Yong Ren Qi Qie Shi by Emperor Jianwen of Liang: "Once, with graceful steps like jade, she blushed beside candlelight. Who could have thought her love would break? She wept in silence, pitying herself alone. I only feel joy turn to sorrow; it is not because beauty fades easily. A lone goose abandons the path halfway; a solitary phoenix dies before the mirror." Another "Chun Xiao Shi" says: "Flowers cluster with spring, the embroidered curtain hangs empty through the long night. The wind's sound blends with bamboo notes; moonlight mirrors the pond below. Colorful letters are folded in vain—no message reaches beyond the clouds." Another "Xiaosi Shi" says: "Morning birds chirp and trill, morning flowers burst open in disorder. Incense curls into the canopy bed; a screen hides the mirror stand. How many tears have stained my red makeup? When will the wanderer return?" Another "Dong Xiao Shi" says: "On a winter morning, sunlight shines on the beam; I descend from my bed with sorrow. The curtain is drawn like bamboo leaves; the mirror reflects the pattern of lotus blossoms. Since no one will notice, why bother to apply red makeup early?" Another "Qiu Gui Ye Si Shi" says: "It is not because of parting at Changxin, nor my husband's journey. Suddenly he vanishes from the nine gates; ten thousand sorrows fill my heart. The western gate closes with a fish-shaped key; on this night bed, I grieve before the painted screen. A returning moon shines upon the steps; insects chant around the walls. Early frost clings to thin leaves; autumn winds scatter fireflies. My old makeup remains untouched for days; new clothes remain torn and unfinished. If you wish to know that I cannot sleep, listen—outside the city, the sound of pounding cloth echoes." Another "Changlou Yuanjie Shi" says: "Morning sun slants into the room, spring birds fly out of the woods. Each ray and shadow is beautiful; each trill pierces my heart. In Shanglin Park, flowers fall in profusion; on Qi River, moss floats silently. Time flies, seasons pass quickly—why endure this shame with restraint?" Another "Chunbie Shi" says: "The grapevine in the pavilion hangs heavy with fruit; in Jiangnan, the cardamom sprouts on twin branches. Even without feeling or intent it is like this—how much more so for those who love and resent, yet must part." Another poem says: "Pity the tides of Huai River, ebbing and flowing. Spring embankments are draped with willows over river bridges. My tears have not yet dried when morning comes; already I hear jade pendants—she is calling for me." Another poem says: "Peach red and plum white, like morning makeup; I am too ashamed to hold my withered face beside fresh fragrance. I would not mind dying before you for a moment, but sorrow lingers without the sweet scent of western lands." | ||
| 19 | 閨情: |
《梁元帝寒閨詩》曰：烏鵲夜南飛，良人行未歸，池水浮明月，寒風送搗衣，願織迴文錦，因君寄武威。 又《閨怨詩》曰：蕩子從遊宦，思妾守房櫳，塵鏡朝朝掩，寒床夜夜空，若非有懽悅，何事久西東，知人相望否，淚盡夢啼中。 又《代舊姬有怨詩》曰：寧為萬里隔，乍作死生離，那堪眼前見，故愛逐新移，未展春花落，遽被涼風吹，怨黛舒還斂，啼紅拭復垂，誰能巧為賦，黃金妾不貲。 又《別詩》曰：昆明夜月光如練，上林朝花色如霰，花朝月夜動春心，誰忍相思今不見。 又詩曰：試看機上蛟龍錦，還瞻庭裏合歡枝，映日通風影珠幔，飄花拂葉度金池，不聞離人當重合，唯悲合罷會成離。 又詩曰：門前楊柳亂如絲，直置佳人不自持，適言新作裂紈詩，誰悟今成織素辭。 又詩曰：日暮徙倚渭橋西，正見流月與雲齊，若使月光無近遠，應照離人今暝啼。 又詩曰：別罷花枝不共攀，別後書信不相關，欲覔行人寄消息，衣常潮水暝應還。 又詩曰：三月桃花合面脂，五月新油好煎澤，莫復臨時不寄人，漫道江中無估客。 |
| In the Han Gui Shi by Emperor Yuandi of Liang: "Crows and magpies fly south at night; my husband is away, not yet returned. The pool reflects a bright moon; cold winds carry the sound of pounding clothes. I wish to weave a cross-stitch brocade, entrusting it through you to Wuwei." Another "Guiyuan Shi" says: "The wanderer follows official duties, while I guard the room alone. The dusty mirror is closed each morning; the cold bed lies empty every night. If there were no joy or pleasure, why would he travel so far east and west? Does he know that I wait for him? My tears are spent, yet in dreams I weep." Another "Dai Jiuji Youyuan Shi" says: "Better to be separated by ten thousand li than suddenly face a parting of life and death. How painful it is when he appears before me, yet his love shifts from old to new. Before the spring blossoms can bloom, they are quickly swept away by cold winds. My frowning brows relax then tighten; my weeping red tears dry only to fall again. Who could skillfully compose a poem for this? I would not trade it even for gold." Another "Bie Shi" says: "The moonlight on Kunming Lake is like a ribbon at night; the flowers in Shanglin shine like snowflakes by morning. Spring stirs my heart beneath these blossoms and moons—how can anyone bear this longing now that you are not here?" Another poem says: "Look at the dragon brocade on the loom; gaze upon the joyous branches in the courtyard. Sunlight filters through gauzy curtains, and petals drift past leaves over golden pools. No news of partings turning into reunions—only sorrow as unions end in separation." Another poem says: "Willows by the gate hang in tangled threads; even a fair lady cannot control her feelings. Just now I spoke of new poems on silk, who would have known they'd become plain weavings of sorrow." Another poem says: "At dusk I linger by Weiqiao to the west, just seeing the drifting moon level with clouds. If only moonlight had no near or far reach, it would shine upon my parting tears tonight." Another poem says: "After parting, we no longer climb the same blossoms; after separation, letters have nothing to do with me. I wish to find a traveler to carry my message—my clothes are always damp from seawater, and he should return at dusk." Another poem says: "In March, peach blossoms blend with my face's rouge; in May, fresh oil is best for smoothing the skin. Do not wait until last minute to send no one—do not say there are no merchants on the river." | ||
| 20 | 閨情: | 《梁武陵王蕭妃夜夢詩》曰：昨夜夢君歸，賤妾下鳴機，極知意氣薄，不著去時衣，故言如夢裏，賴得鴈書飛。 |
| In the Ye Meng Shi by Xiao Fei, consort of Prince Wuling of Liang: "Last night I dreamed you returned; my humble wife descended from her loom. Though I know your affection is thin, I still do not wear the clothes you left in. So I speak as if in a dream, relying only on wild geese to carry letters." | ||
| 21 | 閨情: | 《梁范雲擬古詩》曰：自君之出矣。羅帳咽秋風，思君如蔓草，連延不可窮。 |
| In the Nigu Shi by Fan Yun of Liang: "Since you left..." The embroidered curtain stifles autumn winds; I think of you like creeping vines, spreading endlessly without end. | ||
| 22 | 閨情: |
《梁王僧孺為何遜舊姬擬上山采蘼蕪詩》曰：出戶望蘭薰，褰簾正逢君，斂容裁一訪，新人詎可聞，新人含笑近，故人含笑隱，妾意在寒松，君心逐朝槿。 又《為姬人怨詩》曰：自知心裏恨，還向影中羞，迴持昔慊慊，變作今悠悠，還君與妾扇，歸妾與君裘，絃斷猶可續，心去最難留。 又《為人傷近而不見詩》曰：嬴女鳳皇樓，漢姬柏梁殿，詎過仙將死，音容不可見，獨我一心人，同鄉不異縣，異縣不成隔，同鄉更脈脈，脈脈如牛女，□由寄一語。 又《作寵姬詩》曰：及君高堂還，值妾妍粧罷，曲房褰錦帳，迴廊步珠屣，玉釵時可挂，羅襦詎難解，再顧連城易，一眄千金買。 又《詠姬人詩》曰：窈窕守容華，但歌有情曲，轉眄非無以，斜眉幸相屬，不減許飛瓊，多勝劉璧玉，何因送款款，半飲杯中醁。 |
| In the Shangshan Cai Miuwu Shi by Wang Sengru of Liang, written for He Xun's former concubine: "Stepping out to gaze at orchid fragrance, I lift my curtain and meet you. I restrain my face with a single visit; how could this new bride know? The new bride smiles as she approaches; the old one hides her smile. My feelings are in cold pines; your heart follows morning hibiscus." Another "Weiji Ren Yuan Shi" says: "Knowing the sorrow in my heart, I still blush before my shadow. What was once earnest has now turned to indifference. Return your fan to me; give back my robe to you. A broken string can be mended, but a lost heart is hardest to keep." Another "Weiren Shang Jin Er Bu Jian Shi" says: "Ying Nü on the Fenghuang Tower, Han Ji in the Bailing Hall. How could they surpass immortals and die, their voices and faces now unseen? Only I have a true love, from the same hometown, not even different counties apart. Different counties do not separate us; being of the same hometown makes our silence even deeper. Silent like Niangniu and Zhinu, how can we send just one word?" Another "Zuo Chongji Shi" says: "When you return to the high hall, I have just finished my beauty. In a secluded room, I lift the brocade curtain; on the winding corridor, I walk in pearl-slippered steps. A jade hairpin can be worn at will; a silk robe is easy to remove. A second glance brings a city's worth of wealth; one look alone is worth a thousand gold." Another "Yong Jiren Shi" says: "Graceful and reserved, she guards her beauty; singing only songs full of feeling. Her glances are not without meaning; her slanted brows bring fortune to those who gaze. No less than Xu Feiqiong in charm, more beautiful than Liu Biyu. Why then did you send her away? Half a cup of wine was drunk." | ||
| 23 | 閨情: |
《梁蕭子顯春別詩》曰：翻鸚度鷰雙比翼，楊柳千條共一色，但看陌上攜手歸，誰能對此空中憶。又詩曰：幽宮積草自芳菲，黃鳥芳樹情相依，爭風競日常聞響，重花疊葉不通飛，當知此時動妾思，蹔使罷袂拂臣衣。 又詩曰：銜悲攬涕別心知，桃花李色任風吹，本如人心不似樹，何意人別似花離。梁劉緩閨怨詩曰：別後春池異，荷盡欲生冰，箱中翦刀冷，臺上面脂凝，纖腰轉無力，寒衣怨不勝。 又《秋閨詩》曰：樓上起秋風，絕望秋閨中，燭溜花行滿，香然奩欲空，徒交兩行淚，俱浮粧上紅。 |
| In the Chunbie Shi by Xiao Zixian of Liang: "Parrots and swallows fly in pairs, willows stretch a thousand strands in one hue. Just watch those on the road holding hands as they return—who could remain here alone, remembering them from afar?" Another poem says: "In the secluded palace, grass gathers fragrance on its own; yellow birds and fragrant trees depend on each other for affection. They compete in wind and sun, their songs often heard; thick flowers and layered leaves block flight entirely. You should know that at this moment my thoughts stir—briefly pausing to wipe sleeves against a minister's robe." Another poem says: "Clutching sorrow and tears, I part from one who knows my heart. Peach blossoms and plum flowers are left to the wind's mercy. We humans differ from trees—why then does human separation resemble flower falling?" In the Guiyuan Shi by Liu Huan of Liang: "After parting, spring pools change; lotuses wither as ice begins to form. The shears in my chest grow cold; face powder on the stand hardens. My slender waist turns weak; I resent these winter clothes, unable to bear them." Another "Qiu Gui Shi" says: "Autumn winds rise on the tower, despair fills this autumn chamber. Candle wax drips and flowers fall; incense burns in the casket until it is nearly empty. In vain do two lines of tears flow—both float red upon my makeup." | ||
| 24 | 閨情: |
《梁吳筠閨怨詩》曰：胡笳屢悽斷，征蓬未肯還，妾坐江之介，君戍小長安，相去三千里，參差書信難，四時無人見，誰復重羅紈。 又《閨怨詩》曰：春草可攬結，妾心正斷絕，綠鬢愁中改，紅顏啼裏滅，非獨淚如珠，亦見珠成血，願為飛鵲鏡，翩翩照離別。 又《古意詩》曰：賤妾思不堪，採桑渭城南，帶減連枝繡，髮亂鳳皇簪，花舞依長薄，鵝飛愛淥潭，無由報君此，流涕向春蠶。 |
| In the Guiyuan Shi by Wu Jun of Liang: "The Hu Jia flute often sounds sorrowful; drifting tumbleweeds refuse to return. I sit alone in Jiang, while you guard Xiaochangan. We are three thousand li apart—letters and messages arrive unevenly with difficulty. No one sees me through the four seasons—who will again value my silk and gauze?" Another "Guiyuan Shi" says: "Spring grass can be gathered and tied, but my heart is already broken. My green hair changes in sorrow; my red face fades from weeping. It's not only that tears fall like pearls—but also that these pearls turn to blood. I wish to become a magpie mirror, fluttering above partings." Another "Guyi Shi" says: "My humble wife's longing is unbearable; I pick mulberry leaves south of Weicheng. My waist grows thinner, embroidered with twin branches; my hair tangles like a phoenix hairpin. Flowers dance among long grasses; geese fly over green pools. No way to tell you this—tears fall toward the spring silkworms." | ||
| 25 | 閨情: |
《梁庾肩吾春宵詩》曰：征人別來久，年芳復臨牖，燭下夜縫衣，春寒偏著手，願及歸飛鴈，因書向高柳。 又《冬曉詩》曰：鄰雞聲已傳，愁人競不眠，月光侵曙後，霜明落曉前，縈鬟起照鏡，誰忍槧花鈿。 |
| In the Chunxiao Shi by Yu Jianwu of Liang: "The traveler has been away for long; spring's fragrance returns to my window. By candlelight I sew clothes at night, the cold spring clings especially to my hands. May I reach the returning geese and write a letter toward the tall willows." Another "Dong Xiao Shi" says: "The neighbor's rooster crows; the sorrowful cannot sleep. Moonlight lingers after dawn, frost brightens before morning. I rise with braided hair to gaze in the mirror—who would bear to apply floral decorations?" | ||
| 26 | 閨情: |
《梁劉孝綽春宵詩》曰：春宵猶自長，春心非一傷，月帶園樓影，風飄花樹香，誰能對雙鷰，暝暝守空床。 又《冬曉詩》曰：冬曉風正寒，偏念客衣單，臨粧罷鉛黛，含淚翦綾紈，寄語龍城下，詎知書信難。 又《古意詩》曰：燕趙多佳麗，白日照紅粧，蕩子十年別，羅衣雙帶長，春樓怨難守，玉階悲自傷，對此歸飛鷰，銜泥繞曲房，差池入綺幕，上下傍雕梁，故居猶尚爾，故人安可忘，徒然枕枕席，誰與同衣裳，空使蘭膏夜，炯炯對繁霜。 |
| In the Chunxiao Shi by Liu Xiaochao of Liang: "Spring nights still feel long; spring longing brings more than one wound. Moonlight carries the shadow of garden towers, wind drifts with the fragrance of blooming trees. Who can bear to face a pair of swallows, while lying alone on an empty bed through the night?" Another "Dong Xiao Shi" says: "Winter mornings bring cold winds; I especially think of my traveler's thin clothes. Before applying makeup, I pause with lead and cinnabar—teary-eyed, cutting silk and gauze. Send words to Longcheng below—who knows how hard it is to send letters?" Another "Guyi Shi" says: "Yan and Zhao abound in beauties, sunlight shines on red makeup. The wandering husband has been gone ten years; his silk robe's twin sashes grow long. I resent this spring tower hard to guard, grieve alone on the jade steps. Facing returning swallows, they bring mud around crooked rooms, unevenly entering brocade curtains, flying up and down beside carved beams. If even the old home remains thus—how could an old friend be forgotten? In vain lie pillows and mats—who will share clothes with me? Only in empty nights of orchid oil do I sit alone, facing frost's brightness." | ||
| 27 | 閨情: |
《梁何遜閨怨詩》曰：曉河沒高棟，斜月半空庭，窗中度落葉，簾外隔飛螢，含情下翠帳，掩涕閉金屏，旨期今未反，春草寒復青，思君無轉易，何異北辰星。 又《詠倡婦詩》曰：曖曖高樓暮，華燭帳前明，羅帷雀釵影，寶瑟鳳鶵聲，夜花枝上發，新月霧中生，誰念當窗牖，相望獨盈盈。 |
| In the Guiyuan Shi by He Xun of Liang: "The morning Milky Way fades from high beams, a slanting moon fills half the courtyard. Leaves drift through windows; flying fireflies pass beyond curtains. With emotion I descend from green canopies, wiping tears to close golden screens. The appointed time has not yet returned—spring grass turns cold and green again. My longing for you is unchanging, no different than the North Star." Another "Yong Changfu Shi" says: "Dusk lingers over high towers, bright candles glow before the tent. Brocade curtains reflect sparrow hairpins; jade zithers echo phoenix-like notes. Night flowers bloom on branches, new moons arise in mist. Who thinks of me by window and door—gazing alone, full of longing." | ||
| 28 | 閨情: | 《梁費昶長門怨詩》曰：向夕千悲起，百恨何嗟及，愁思且歸床，羅襦方掩泣，絳樹搖風軟，黃鳥弄聲急，金屋貯嬌時，不言君不入。 |
| In the Changmen Yuan Shi by Fei Chang of Liang: "At dusk, a thousand sorrows arise; countless regrets come too late. Sorrowful thoughts return to my bed—my brocade robe hides weeping. Crimson trees sway gently in wind, yellow birds trill urgently. When I was kept in golden halls, you never said you would not enter." | ||
| 29 | 閨情: | 《梁劉孝儀閨怨詩》曰：本無金屋寵，長作玉階悲，一乖西北麗，寧復城南期，永巷愁無歇，應門●有時，空勞織素巧，徒為團扇詞，匡床終不共，何由橫自私。 |
| In the Guiyuan Shi by Liu Xiaoyi of Liang: "I never had golden hall favor, only longed for jade steps' sorrow. Once separated from the northwest beauty, how can I meet again in Chengnan? Eternal alleys bring ceaseless grief; the gate servant comes and goes at times. In vain did I weave fine silk—only to write verses of round fans. The broad bed will never be shared—who could possibly claim me selfishly?" | ||
| 30 | 閨情: |
《梁劉孝威春宵詩》曰：花開人不歸，節暖衣須變，迴釵挂反鐶，拭淚繩春線，今夜月輪圓，胡兵必應戰。 又《冬曉詩》曰：妾家邊洛城，慣識曉鍾聲，鍾聲猶未盡，漢使報應行，天寒硯水凍，心悲書不成。 |
| In the Chunxiao Shi by Liu Xiuwei of Liang: "Flowers bloom, but he does not return; seasons warm, and clothes must change. Returning hairpins hang from twisted rings; wiping tears, I mend spring threads. Tonight's moon is full—Hu soldiers will surely fight." Another "Dong Xiao Shi" says: "My home lies near Luocheng, I am used to the morning bell's sound. The bells have not yet ceased—Han envoys report they must depart. Cold weather freezes inkstone water; my heart aches, and writing cannot be done." | ||
| 31 | 閨情: |
《梁劉孝先春宵詩》曰：夜樓明月弦，露下百花鮮，情多意不設，啼罷未歸眠，燉煌定若遠，一信動經年。 又《冬曉詩》曰：晨霞影翠帷，思婦織霜絲，經寒牽杼澁，釧冷調梭遲，乍廢倡樓粉，貪赴遠人期。梁王筠閨情詩曰：月出宵將半，星流曉未央，空閨易成響，虛室自生光，嬌羞悅人夢，猶言君在傍。 又《向曉閨情詩》曰：北斗行欲沒，東方稍已晞，晨雞初下棲，曉露上霑衣，衾裯徒有設，信誓果相違，詎忍開朝鏡，羞恨掩空扉。 又《春遊詩》曰：藂蘭已飛蝶，楊柳半藏鵶，物色相煎蕩，微步出東家，既同翡翠翼，復如桃李花，欲以千金笑，迴君流水車。 |
| In the Chunxiao Shi by Liu Xiaoqian of Liang: "The night tower's moonlight shines like a string, dew falls and all flowers bloom fresh. Full of feeling but no plan—after weeping, I still cannot sleep. Dunhuang feels so distant; one letter takes an entire year to arrive." Another "Dong Xiao Shi" says: "Morning rosy light casts shadows on green curtains; the thinking wife weaves frost-like silk. Through cold, she draws thread with difficulty, her rings grow cold as shuttle moves slowly. She suddenly abandons makeup of the singing tower—eager to meet a distant lover." In the Guiqing Shi by Wang Jun of Liang: "The moon rises, half the night gone; stars flow as dawn has not yet come. Empty chambers echo easily, empty rooms glow on their own. Her beauty and shyness please dreams—still saying you are at my side." Another "Xiang Xiao Guiqing Shi" says: "The Northern Dipper moves to set, the east begins to brighten. Morning roosters descend from perches; dew wets my clothes at dawn. My quilt and cover are in vain—promises have indeed been broken. How can I bear to open morning mirrors? With shame and resentment, I close empty doors." Another "Chun You Shi" says: "Clustered orchids have already drawn butterflies; willows half hide crows. Scenery urges me on, I take small steps from the eastern home. Having matched emerald wings, again like peach and plum blossoms—I wish to buy a thousand gold smiles, turning your flowing water cart." | ||
| 32 | 閨情: | 《梁陸罩詩》曰：自憐斷帶日，偏恨分釵時，留步惜餘影，含意結愁眉，徒知今異昔，空使怨成思，欲以別離意，獨向蘼蕪悲。 |
| In the Shi by Lu Zhao of Liang: "I pity the day my sash was cut, resent especially when hairpins were divided. I pause to cherish my fading shadow, emotions knot into sorrowed brows. In vain do I know today differs from past; in vain does resentment turn to thought. Wanting to express parting feelings, I grieve alone among mugu grass." | ||
| 33 | 閨情: | 《梁鮑泉寒閨詩》曰：行人消息斷，空閨靜復寒，風急朝機燥，鏡暗晚粧難，從來腰自小，衣帶就中寬。 |
| In the Hangui Shi by Bao Quan of Liang: "The traveler's news is cut off, my empty chamber grows quiet and cold. The wind howls, morning looms grow dry; mirrors dim, evening makeup hard to apply. From the start I had a slender waist—now sashes loosen more than before." | ||
| 34 | 閨情: |
《梁鄧鏗閨怨詩》曰：暫別猶添恨，何忍別經時，藂桂頻銷葉，庭樹幾攀枝，君言妾貌改，妾畏君心移，終須一相見，併得兩心知。 又《月夜閨中詩》曰：閨中日已暮，樓上月初華，樹陰緣砌上，窗影向床斜，開屏寫密書，卷帳照垂花，誰能當此夕，獨處類倡家。梁蕭子暉春宵詩曰：夜夜妾偏栖，百花含露低，蟲聲繞春岸，月色思空閨，倩語長安驛，辛苦寄遼西。又冬曉詩曰：步欄光欲通，曙鳥向西東，燭滅傳餘氣，帷香開曉風，繁花無處盡，還銷寒鏡中。 |
| In the Guiyuan Shi by Deng Keng of Liang: "Even a brief parting adds sorrow—how can I endure long separations? Clustered osmanthus leaves fall often; courtyard trees have been climbed how many times? You say my looks change, but I fear your heart will shift. We must meet once more—to know each other's hearts at last." Another "Yueye Guizhong Shi" says: "The day in the chamber fades, on the tower the moon begins to shine. Tree shadows climb the steps; window reflections slant toward my bed. I open screens to write secret letters, roll up curtains to gaze at hanging flowers. Who could endure this night—alone here like a courtesan's home?" In the Chunxiao Shi by Xiao Zihui of Liang: "Night after night, I dwell alone; a hundred flowers droop with dew. Insect sounds circle spring banks; moonlight lingers in empty chambers. Pretty words reach Chang'an post—hardship sent to Liaoxi." Another "Dong Xiao Shi" says: "Stepping on the railing, light nearly connects; dawn birds fly east and west. Candles die, leaving faint scent; curtain fragrance meets morning wind. Luxuriant flowers nowhere end—still vanish in cold mirrors." | ||
| 35 | 閨情: | 《梁劉邈秋閨詩》曰：螢飛綺窗外，妾思霍將軍，燈前量獸錦，簷下織花紋，墜露如輕雨，長河似薄雲，秋還百種事，衣成不暇熏。 |
| In the Qiu Gui Shi by Liu Miao of Liang: "Fireflies fly beyond brocade windows; I think of General Huo. By lamp, I measure beast-patterned silk; under eaves, I weave floral patterns. Dripping dew like light rain, long rivers resemble thin clouds. Autumn returns with a hundred matters—I finish clothes without time to perfume them." | ||
| 36 | 閨情: | 《梁蕭子雲春思詩》曰：春風蕩羅帳，餘花落鏡奩，池荷正卷葉，庭柳復垂簷，竹柏君自改，團扇妾方嫌，詎能憐故素，終為泣新縑。 |
| In the Chunsi Shi by Xiao Ziyun of Liang: "Spring winds stir silk canopies; remaining flowers fall into mirror caskets. Pond lotuses curl their leaves, courtyard willows again hang eaves. Bamboo and cypress—yourself change; round fans—I now resent. How could you pity old purity? In the end I weep over new silk." | ||
| 37 | 閨情: | 《梁何思澄古意詩》曰：故交不可忘，猶如蘭桂芳，新知雖可悅，不異茱萸香，妾有鳳皇曲，非無陌上桑，薦君君不御，抱瑟自悲涼。 |
| In the Guyi Shi by He Sicheng of Liang: "Old friends must not be forgotten, like orchid and osmanthus fragrance. New acquaintances may please—but differ no more than Chinese barberry's scent. I have phoenix songs; it is not for lack of mulberry on the road. You offer me to you, yet do not accept—holding my zither, I feel sorrow alone." | ||
| 38 | 閨情: | 《梁朱越賦得蕩子行未歸詩》曰：坐樓愁出望，息意不思春，無奈園中柳，寒時已報人，捉梳羞理鬢，挑朱懶向唇，何當上路晚，風吹還騎塵。 |
| In the Fu De Dangzi Xing Wei Gui Shi by Zhu Yue of Liang: "Sitting on the tower, I gaze in sorrow; no longer do I think of spring. The willows in my garden are helpless—they already announce to people even in cold weather. Holding a comb, I shyly arrange my hair; picking up vermilion, I lazily apply it to lips. When shall he return at dusk? Wind blows dust from his horse's hooves." | ||
| 39 | 閨情: |
《陳陰鏗南征閨怨詩》曰：湘水舊言深，征客理難尋，獨愁無處道，長啼不自禁，作人憎解佩，從來懶聽音，唯當有夜鵲，南飛似妾心。 又《秋閨怨詩》曰：獨眠雖已慣，秋來只自愁，火籠恆暖腳，行障鎮床頭，眉含黛俱斂，啼將粉共流，誰能無限別，唯守一空樓。 |
| In the Nanzheng Guiyuan Shi by Yin Keng of Chen: "Xiang River's old words run deep; the traveler is hard to find. Solitary sorrow has nowhere to go, I weep endlessly without restraint. As a person, I hate removing my jade pendants; from the start, I have been lazy to listen for news. Only when night magpies fly south do they resemble my heart." Another "Qiu Guiyuan Shi" says: "Though used to sleeping alone, autumn brings only my own sorrow. The fire warmer always warms my feet; the hanging screen rests at my bed's head. My brows furrow with cinnabar drawn in—tears flow together with powder. Who could bear endless partings? I guard but one empty tower." | ||
| 40 | 閨情: | 《陳李爽山家閨怨詩》曰：山中多早梅，荊扉達曙開，竹巾君自折，荷衣誰為裁，行雲無處所，人住在陽臺。 |
| In the Shanjia Guiyuan Shi by Li Shuang of Chen: "Many early plum trees grow in the mountains; thorned gates open at dawn. Bamboo headbands you yourself broke—lotus robes, who will cut for me? Wandering clouds have no place to rest; people live on Yantai." | ||
| 41 | 閨情: |
《陳張正見山家閨怨詩》曰：王孫春好遊，雲鬢不勝愁，離鴻暫罷曲，別路已經秋，山中桂花晚，勿為俗人留。 又《賦得佳期競不歸詩》曰：良人萬里向河源，倡婦三秋思柳園，路遠寄詩空織錦，宵長夢反欲驚魂，飛蛾屢繞帷前燭，衰草還侵階上玉，銜啼拂鏡不成粧，促柱繁絃還亂曲，時忿年移競不歸，偏憎信急夜縫衣，流螢映月明空帳，疏葉從風入斷機，自對孤鸞向影絕，終無一鴈帶書飛。 |
| In the Shanjia Guiyuanshi by Zhang Zhengjian of Chen: "The young lord loves spring outings, his cloud-like hair cannot bear sorrow. Parting wild geese briefly cease their song; roads of separation have already passed autumn. Mountain osmanthus blooms late—do not wait for vulgar people." Another "Fu De Jiaqi Jing Bu Gui Shi" says: "My husband travels ten thousand li toward the Yellow River's source; my courtesan wife thinks of willow gardens through three autumns. The road is far—letters sent in vain, weaving brocade in vain. Long nights bring dreams that startle with fear. Silkworm moths repeatedly circle candles before curtains; decaying grass invades jade steps again. Wiping tears and brushing mirrors, I cannot finish makeup. Hurried fingers pluck strings, creating discordant melodies. Year after year passes, yet he still does not return—especially resenting hasty letters as I sew clothes at night. Flowing fireflies reflect moonlight on empty tents; sparse leaves follow wind into broken looms. Alone before a solitary phoenix mirror, its shadow fades completely—still no single goose brings word from afar." | ||
| 42 | 閨情: | 《陳徐湛賦得班去趙姬升詩》曰：班姬與飛燕，俱侍漢王宮，不意恩情歇，偏將衰草同，香飛金輦外，苔上玉階中，今日悲團扇，非是為秋風。 |
| In the Fu De Ban Qu Zhao Ji Sheng Shi by Xu Zhan of Chen: "Ban Jie and Feiyan both served in Han Wang's palace. Unexpectedly, their favor faded—especially sharing with decaying grass. Fragrance flies beyond golden carriages; moss grows on jade steps. Today I grieve for the round fan—not because of autumn winds." | ||
| 43 | 閨情: |
《隋江總賦得空閨怨詩》曰：蕩妻怨獨守，盧姬傷獨居，瑟上調絃落，機中織素餘，自羞淚無燥，翻覺夢成虛，復嗟長信閤，寂寂往來疏。 又《為姬人怨服散詩》曰：天寒海水慣相知，空床明月不相宜，庭中芳桂憔悴葉，井上疏桐零落枝，寒燈作花羞夜短，霜鴈多情恆結伴，非為隴水望秦川，直置思君腸自斷，薄命夫婿好神仙，逆愁高飛向紫煙，金丹欲成猶百鍊，玉酒新熟幾千年，妾家邯鄲好輕薄，特忿仙童一丸藥，自悲行處綠苔生，何悟啼多紅粉落，莫輕小婦狎春風，羅襪也得步河宮，雲車欲駕應相待，羽衣未去幸須同，不學蕭史還樓上，會逐姮娥戲月中。 又《閨怨詩》曰：寂寂青樓大道邊，紛紛白雪綺窗前，池上鴛鴦不獨自，帳中蘇合還空然，屏風有意障明月，鐙火無情照獨眠，遼西水凍春應少，薊北鴻來路幾千，願君關山及早度，念妾桃李片時妍。 又詩曰：蜘蛛作絲滿帳中，芳草結葉當行路，紅臉脈脈一生啼，黃鳥飛飛有時度，故人雖故昔經新，新人雖新復應故。 |
| In the Fu De Kong Gui Yuan Shi by Jiang Zong of Sui: "The wandering wife resents being alone; Lu Ji grieves living in solitude. Strings fall from her zither's tuning, silk remains on her loom. Her tears shamefully never dry—she now realizes dreams are false. Again she laments Changxin Pavilion, where once visits were frequent but now silence reigns." Another "Wei Jiren Yuan Fu San Shi" says: "Cold seas and skies know each other well; an empty bed and bright moon are ill-matched. Fragrant osmanthus in the courtyard withers, sparse paulownia on the well droops its branches. Cold lamps bloom—shame at night's brevity; frost-covered geese, full of feeling, always travel together. Not for longing across Long Shui toward Qin Chuan—my heart breaks thinking of you alone. My short-lived husband loves immortals, flies upward in sorrow to purple mist. Golden elixirs take a hundred refiners to complete, jade wine newly brewed has aged thousands of years. My home in Handan is known for lightness and fickleness; I especially resent the immortal boy's single pill. Grieving, green moss grows where I walk—how could I know so many tears would fade my red powder? Do not lightly mock a young wife with spring winds; silk socks may yet step into He Gong. Cloud chariots await me to ride together—may we share feathered robes and not part. Not like Xiao Shi returning to his tower, but following Chang'e in moonlight play." Another "Guiyuan Shi" says: "Silent green towers lie by the great road; snowflakes fall in profusion before brocade windows. Mandarins on the pond do not fly alone, but Suhe incense in my tent burns empty. Screens intend to block bright moonlight, lamp flames without feeling shine upon lonely sleepers. Liaoxi waters freeze—spring must be scarce; wild geese from Jibei travel thousands of miles. May you cross mountains and rivers soon, remembering me for a moment's peach and plum beauty." Another poem says: "Spiders weave silk to fill the tent; fragrant grass binds leaves across paths. A red face, silently weeping through a lifetime—yellow birds fly and pass at times. Old friends though old were once new; new people though new will again become old." | ||
| 44 | 閨情: | 【賦】《梁元帝蕩婦秋思賦》曰：蕩子之別十年，倡婦之居自憐，登樓一望，唯見遠樹含煙，平原如此，不知道路幾千，天與水兮相逼，山與雲兮共色，山則蒼蒼入漢，水則涓涓不測，誰復堪見鳥飛，悲鳴隻翼，秋何月而不清，月何秋而不明，況乃倡樓蕩婦，對此傷情，於時露萎庭蕙，霜封階砌，坐視帶長，轉看腰細，重以秋水文波，秋雲似羅，日黯黯而將暮，風騷騷而渡河，妾怨迴文之錦，君思出塞之歌，相思相望，路遠如何，鬢飄蓬而漸亂，心懷愁而轉歎，愁縈翠眉斂，啼多紅粉漫，已矣哉。秋風起兮秋葉飛，春花落兮春日暉，春日遲遲猶可至，客子行行終不歸。 |
| 【 Fu 】 In the Qiusi Fu by Yuan Di of Liang: "Ten years since my wandering husband left, I live alone in sorrow. Climbing the tower to gaze afar, I see only distant trees shrouded in mist. The plain stretches endlessly—how many thousand li is this road? Sky and water press together; mountains and clouds share color. Mountains darkly reach into Han River; waters flow faintly, unfathomable. Who can bear watching a lone bird fly, crying with one wing? Autumn—what month is not clear? What autumn moon is not bright? Especially for me, the courtesan's wife, facing this sorrow. At that time, dew wilts courtyard orchids, frost seals steps and terraces. I sit watching my sash grow long; turning to see my waist shrink. Added are autumn waters' rippling waves, autumn clouds like brocade. The sun darkens as dusk approaches; wind rustles across the river. My grievances echo in embroidered cloth; your thoughts sing songs of frontier crossings. Looking and longing for each other—how distant is this road? My hair tangles like flying thistle; my heart grows sadder with every sigh. Sorrow tightens green brows, tears wash away red powder. Alas!" Autumn winds rise, autumn leaves fly; spring flowers fall, spring sun shines. Though spring lingers and still arrives, the traveler walks on and never returns. | ||
| 45 | 閨情: | 《梁江淹倡婦自悲賦》曰：日自趙東，來舞漢宮，瑤席金陳，桂枝嬌春，素壁翠樓，明月使秋，歌聲忽散，倡人復愁，君王更衣，露色未晞，侍青鑾以雲徙，夾丹輦以霞飛，願南山之無隙，指壽陵以同歸，俄而綠衣坐奮，白華臥進，屑骨不憐，抵金誰恡，九重以●，高門自蕪，青苔積兮銀閤澁，網羅生兮玉梯虛，度九冬而廓處，經十秋而分居，傷營魄之已盡，畏松柏之無餘，去柏梁以掩袂，出桂柱而斂眉，視朱殿以再暮，撫嬪華而一疑。 |
| In the Changfu Zibi Fu by Jiang Yan of Liang: "From Zhao's east, she dances in Han palace. Jade seats and golden displays; osmanthus branches charm spring. White walls and emerald towers—bright moon brings autumn. Songs suddenly disperse, courtesans again grieve. The king changes clothes, dew has not yet dried. Serving beside jade carriages as clouds drift, flanking red palanquins with flying 霞. Wishing Southern Mountains have no gaps, pointing toward Shouling to return together. Suddenly green robes rise in anger, white flowers lie offered. No pity for brittle bones—what gold is withheld? Nine layers of ●, high gates grow wild. Green moss accumulates on silver halls; cobwebs form on jade stairs. Passing nine winters in emptiness, spending ten autumns apart. Grieve as spirit and soul fade; fear cypress trees will leave nothing. Leaving 柏梁 with sleeves drawn tight, exiting osmanthus pillars with furrowed brows. Watching vermilion palaces again darken at dusk, touching 嫔华 with one doubt." | ||
| 46 | 閨情: | 《周庾信蕩子賦》曰：蕩子辛苦逐征行，直守長城千里城，隴水恆冰合，關山唯明月，況復空床起怨，倡婦生離，紗窗獨掩，羅帳長垂，新箏不弄，長笛羞吹，常年桂苑，昔日蘭閨，羅敷總髮，弄玉初笄，新歌子夜，舊舞前溪，別後關情無復情，離前明鏡不須明，合歡無信寄，迴紋織未成，遊塵滿床不用拂，細草橫階隨意生，前日漢使著章臺，聞道夫婿定應迴，手巾還欲燥，愁眉即剩開，逆想行人至，迎前含笑來。 |
| In the Dangzi Fu by Yu Xin of Zhou: "The wandering husband toils on military campaigns, guarding the Great Wall for a thousand li. Long Shui's river remains frozen; mountain passes only know bright moonlight. Especially now, an empty bed brings resentment, parting from my courtesan wife. Silk windows close alone, gauze curtains hang long. New zithers remain untouched, flutes are shyly not played. Year after year in osmanthus gardens, once in orchid chambers. Luo Fu with braided hair, Nongyu at first 笄. New songs sung at midnight, old dances by Qianxi Stream. After parting, feelings no longer exist; before leaving, mirrors need not shine. No message of joy to send, embroidered patterns remain unfinished. Dust drifts over the bed—no need to sweep; fine grass grows across steps freely. Yesterday a Han envoy stood on Zhangtai, saying my husband should return soon. My handkerchief still dries slowly, sorrowed brows open again. Thinking ahead that travelers will arrive, I await them with smiles." | ||
| 47 | 閨情: | 【書】《後漢秦嘉與妻書》曰：不能養志，當給郡使，隨俗順時，僶俛當去，知所苦故爾，未有瘳損，想念悒悒，勞心無已，當涉遠路，趨走風塵，非志所慕，慘慘少樂，又計往還，將彌時節，念發同怨，意有遲遲，欲暫相見，有所屬託，今遣車往，想必自力。 |
| 【 Shu 】 In the Letter from Qin Jia of Later Han to His Wife: "I cannot cultivate my aspirations, must serve as a county official. Following custom and time, I bow and depart. Knowing you suffer thus, no relief yet comes. Thinking of you brings sorrow—my heart labors endlessly. Traveling distant roads, running through dust and wind—not what I desire, bringing little joy. Calculating the round trip will take many seasons. Thinking of parting causes shared grief; my intentions linger with hesitation. Want to meet briefly, entrust something important. Now sending a carriage—I hope you can manage well." | ||
| 48 | 閨情: | 《秦嘉妻徐淑答書》曰：知屈珪璋，應奉歲使，策名王府，觀國之光，雖失高素皓然之業，亦是仲尼執鞭之操也。自初承問，心願東還，迫疾惟宜抱歎而已，日月已盡，行有伴例，想嚴莊已辦，發邁在近，誰謂宋遠，企予望之，室邇人遐，我勞如何，深谷逶迤，而君是涉，高山巖巖，而君是越，斯亦難矣。長路悠悠，而君是踐，冰霜慘烈，而君是履，身非形影，何得動而輒俱，體非比目，何得同而不離，於是詠萱草之喻，以消兩家之恩，割今者之恨，以待將來之歡，今適樂土，優遊京邑，觀王都之壯麗，察天下之珍妙，得無目玩意移，往而不能出耶。 |
| In the Letter from Xu Shu, Wife of Qin Jia: "I know you have bent jade and zhang to serve as envoy for annual missions. Recording your name in 王府, witnessing the nation's glory—though losing lofty, pure pursuits, it is also Confucius' humble task of holding a whip." Since first receiving your inquiry, my heart wished to return east. Pressed by illness, I can only sigh in sorrow. Days and months have passed; travel with companions is now set. I imagine preparations are complete, departure near at hand. Who would say Song is far? I long for you eagerly. The room is close but the person distant—how weary am I! Deep valleys wind on, yet you must cross them; high mountains tower, yet you must pass over. How difficult this is indeed. The long road stretches endlessly, yet you must tread it. Ice and frost are cruel, yet your feet must walk through them. Our bodies are not like shadows—how can we move together at every step? We are no Si Mu fish—how can we remain united without separation? Thus I recite the metaphor of 萱草 to ease our mutual affection, cut away present sorrow for future joy. Now you travel to a land of happiness, leisurely in the capital city, observing its grandeur and marvels. Will your eyes not linger on wonders, making it hard to leave? | ||
| 49 | 閨情: | 《嘉重報妻書》曰：車還空反，甚失所望，兼涼遠別，恨恨之情，顧有恨然，閒得此鏡，既明且好，形觀文彩，世所希有，意甚愛之，故以相與，并寶釵一雙，好香四種，素琴一張，常所自彈也。明鏡可以鑒形，寶釵可以耀首，芳香可以馥身，素琴可以娛耳。 |
| In the Letter from Qin Jia to His Wife: "The carriage returned empty, greatly disappointing my hopes. Added sorrow at distant parting—my resentment is deep. I feel regretful indeed. Recently acquired this mirror—it is both clear and beautiful. Its form and patterns are rare in the world. I cherish it deeply, so I give it to you along with a pair of precious hairpins, four kinds of fine incense, one plain zither—which I often play myself." A clear mirror can reflect your form; a precious hairpin can adorn your head. Sweet fragrance can perfume your body; a plain zither can please your ears. | ||
| 50 | 閨情: | 妻又報嘉書曰：既惠音令，兼賜諸物，厚顧慇懃，出於非望，鏡有文彩之麗，釵有殊異之觀，芳香既珍，素琴益好，惠異物於鄙陋，割所珍以相賜，非豐恩之厚，孰肯若斯，覽鏡執釵，情想髣彿，操琴詠詩，思心成結，敕以芳香馥身，喻以明鏡鑒形，此言過矣。未獲我心也。昔詩人有飛蓬之感，班婕妤有誰榮之歎，素琴之作，當須君歸，明鏡之鑒，當待君還，未奉光儀，則寶釵不列也。未侍帷帳，則芳香不發也。 |
| My wife again replies to Qin Jia: "Having received your kind letter, and also the many gifts—your generous care exceeds my expectations. The mirror's patterns are beautiful; the hairpin is uniquely striking. The fragrance is precious, the plain zither even more delightful. Giving rare items to one as humble as I, cutting from your own treasures to bestow upon me—who else but a man of great kindness would do so? Holding the mirror and pin in hand, my thoughts drift faintly; playing the zither and reciting poetry, my longing tightens into knots. Ordering fragrance to perfume myself, using the clear mirror to reflect my form—these words are excessive." You have not touched my heart yet. Ancient poets felt the sorrow of drifting tumbleweed; Ban Jieyu sighed at who would honor her. This plain zither must wait for your return, this mirror must await you to reflect again. Until I see your radiant form, these treasures shall not be displayed. Until I serve beside your tent, the fragrance will remain unopened. | ||
| 51 | 閨情: | 《梁何遜為衡山侯與婦書》曰：昔人遨遊洛汭，會遇陽臺，神仙髣彿，有如今別離，帳前微笑，涉想猶存，而幄裏餘香，從風且歇，掩屏為疾，引領成勞，鏡想分鸞，琴悲別鶴，心如膏火，獨夜自煎，思等流波，終朝不息，始知萋萋萱草，忘憂之言不實，團團輕扇，合歡之用為虛，路邇人遐，音塵寂絕，一日三秋，不足為喻，聊陳往翰，寧寫款懷，遲枉瓊瑤，慰其杼軸。 |
| In the Letter by He Xun on Behalf of Hengshan Hou to His Wife: "Ancient people once roamed Luorui, met at Yangtai—fleeting immortals resemble our present parting. Smiles before my tent still linger in thought; lingering fragrance from within curtains fades with wind. Covering screens as if ill, stretching necks in vain labor. Mirrors reflect broken phoenixes; zithers mourn separated cranes. My heart burns like oil fire, alone and self-tormented through the night. Thoughts flow like water, ceaseless all day long. Now I know that lush 萱草 cannot truly forget sorrow, light fans cannot really bring joy. The road is near but you are far—news and dust have ceased entirely. One day feels like three autumns; no metaphor suffices. Briefly writing these words, can they express my earnest feelings? Delayed jade and jadefruit letters will comfort my loom." | ||
| 52 | 閨情: | 《周庾信為上黃侯世子與婦書》曰：昔仙人道引，尚刻三秋，神女將梳，猶期九日，未有龍飛劍匣，鶴別琴臺，莫不銜怨而心悲，聞猿而下淚，人非新市，何處尋家，別異邯鄲，那應知路，想鏡中看影，當不含啼，欄外將花，居然俱笑，分杯帳裏，卻扇床前，故是不思，何時能憶，當學海神，逐潮風而來往，勿如織女，待填河而相見。 |
| In the Letter by Yu Xin on Behalf of Shanghuang Hou's Heir to His Wife: "Ancient immortals led each other, yet still marked three autumns; divine women combed their hair, yet waited nine days. No one has seen a dragon fly from sword cases or cranes part from zither platforms without sorrow in heart and tears at the sound of apes. If not like Xinsi, where can I find home? Parting differs from Handan—how could you know the way? Thinking you gaze into mirrors without weeping, hold flowers outside railings and smile joyfully. Sharing cups within tents, fanning before beds—this is no longer thought of; when will memory return? Learn like sea gods to come and go with tides and winds, not like Weaving Maid waiting for Milky Way to fill before meeting." | ||
| 53 | 閨情: | 《陳伏知道為王寬與婦義安主書》：昔魚嶺逢車，芝田息駕，雖見妖婬，終成揮忽，遂使家勝陽臺，為歡非夢，人慚蕭史，相偶成仙，輕扇初開，欣看笑靨，長眉始畫，愁對離粧，猶聞徙佩，顧長廊之未盡，尚分行幰，冀迥陌之難迴，廣攝金屏，莫令愁擁，恆開錦幔，速望人歸，鏡臺新去，應餘落粉，燻爐未徙，定有餘煙，淚滴芳衾，錦花長濕，愁隨玉軫，琴鶴恆驚，已覺錦水丹鱗，素書稀遠，玉山青鳥，仙使難通，綵筆試操，香牋遂滿，行雲可託，夢想還勞，九重千日，詎想倡家，單枕一宵，便如蕩子，當令照影雙來，一鸞羞鏡，勿使窺窻獨坐，恒娥笑人。 |
| In the Letter by Fu Zhiyao on Behalf of Wang Kuan to His Wife Yianzhu: "Once at Fish Ridge we met in carriages, at Cinnabar Fields we stopped our chariots. Though we saw beauty and temptation, it all passed like a fleeting dream. Thus my home became better than Yangtai—joy not from dreams but reality. I am ashamed to be compared with Xiao Shi, yet paired as immortals. Light fans first opened, happy smiles watched; long eyebrows freshly drawn, sorrowed at parting makeup. Still hear the sound of moving pendants, looking down the corridor without end; still see carriages parting in rows, hoping roads turn back. Broad golden screens—do not let sorrow gather. Always open brocade curtains, quickly await my return. Mirror stands newly emptied, should still have fallen powder. Incense burners not yet moved, surely lingering smoke remains. Tears drip onto fragrant quilts; embroidered flowers remain damp. Sorrow follows jade zithers; cranes startle constantly. Already feel red fish of brocade waters grow distant with rare letters; green birds on Jade Mountains cannot deliver messages from immortal messengers. Colorful brushes try to write, scented paper fills quickly. Clouds may carry words—dreaming still labors in vain. Nine layers for a thousand days—who would think of a courtesan's house? A single pillow through one night feels like parting forever. Let reflected images come together; one phoenix shames the mirror. Do not let her sit alone peering from windows, where Chang'e laughs at people." |
URN: ctp:n543269